Showing posts with label Ivanhoe. Show all posts
Showing posts with label Ivanhoe. Show all posts

Monday, July 22, 2024

Oscars 1952: Best Picture of the Year

How often does the biggest moneymaker of the year win Best Picture of the Year? Rarer than you think. Wikipedia's records only go back to 1948 while the Oscars themselves date back to 1927-28; within that narrow timeframe of 76 years, only 12 times has the Academy's choice and "the people's" choice aligned. The last time it happened: 2003's The Lord of the Rings: The Return of the King. The first time it happened - again, according to Wiki info - was 1952's The Greatest Show on Earth! And if cinema about the circus wasn't cross-pollination among the showbiz mediums enough, it was declared the winner in the first-ever Oscars to be broadcast on television:



Yes, this was the 25th Anniversary of the Academy Awards, held at the Pantages Theatre in Hollywood. Honestly, marking those 25 years by honoring not just the year's biggest hit but one of the Academy's original founders, the greatest showman cinema saw up to that point, makes a lot of sense. It's a great honor for a man without whom the town and the industry would not be what it was - for better and worse. 

The behind-the-scenes circus epic was up against four other films that found themselves in the Top 10 box office hits of the year (honestly, rare that all five would be there, but they are all entertaining). There's Ivanhoe, the Medieval romantic swashbuckler; High Noon, the Western drama about a lawman standing alone against outlaws; Moulin Rouge, a biopic of artist Toulouse-Luatrec; and The Quiet Man, John Ford's romantic-comedy about an American returning to his roots in Ireland. Presented here are my takes on them, in ascending order of how I'd rank them.

Sunday, July 14, 2024

1952: The Next Two Nominees Are...

Two Best Picture nominees in one month!

Yes, we must be getting close to The Season, because while The Greatest Show on Earth debuted in February, it took til midsummer to get two of our other Best Picture nominees on the board: High Noon and Ivanhoe.


High Noon is, famously, an allegory for the blacklist. Carl Foreman wrote the screenplay about a man looking for friends and fellow defenders, abandoned by the people he thought he could trust when he needed them most, his doom egged on by a town that can only think in terms of how his presence effects their profits. Ivanhoe is not, it's a historical drama based on a beloved work of literature, but it was #1 at the box office four weeks in a row and the second highest-grossing 1952 release.

Both films came at the end of July. Of the twelve films we cover today, they're right in the middle. As you can see: