Thursday, May 23, 2013

You Spoil Us, Really: Director, 1973

What the hell, 1973? Is this why we get nominees like Alejandro Gonsalez Inarritu and Paul Haggis and Alexander Payne? Did 1973's vortex of visionaries spoil the rest of the Academy Awards for all time?

The winner, George Roy Hill

Wednesday, May 22, 2013

Tuesday, May 21, 2013

Monday, May 20, 2013

Not My Cuppa: Supporting Actor, 1973

In order to be nominated for an Academy Award, you have to show up on enough ballots in a Number One slot. Number One. As in, win or lose, you have to be someone's favorite of the year. I always have to remind myself of this when I look at the Supporting Actor fields. I especially have to think about it when I see some of the winners.

Grr....

Wednesday, May 15, 2013

Moving About, Looking Good: Cinematography, 1973

My marathoning the films of 1973 tells me at least one thing: Cinematography was rarely flashy back then.

Cries and Whispers cinematographer Sven Nykvist

Tuesday, May 14, 2013

Tell It Again: Adapted Screenplay, 1973

I find this to be one of the hardest categories to adjudicate. Since we're talking previously-published works, there's reasonable doubt as to what belongs to the original author, and what belongs to the adaptor. I'm familiar with none of these books, so I have no inkling of the writers' fidelity to their source materials. How much is their own dialogue? What plot twists did they invent? What was thrown out to accommodate the world of cinema?