Showing posts with label When My Baby Smiles at Me. Show all posts
Showing posts with label When My Baby Smiles at Me. Show all posts

Thursday, July 13, 2023

1948: Best Actor

The question that haunts this category for this particular year: where's Humphrey Bogart's nomination for The Treasure of the Sierra Madre


From the Los Angeles Times: "There is nought but credit to give to the actor for his very fine performance. He has a terrific dramatic summit to reach in the later scenes, and does this with notable effectiveness." From the New York Times: "His performance in this film is perhaps the best and most substantial that he has done." From Variety: "Bogart...comes through with a performance as memorable as his first major film role in The Petrified Forest was in 1935. ...In a remarkably controlled portrait, he progresses to the edge of madness without losing sight of the subtle shadings needed to establish persuasiveness."

To many, this is the performance Bogart should have won for (possibly clearing the way for a Brando win in 1951). Perhaps the reason for Bogart's absence is the about-face. Every review notes that his fans may be disappointed to find that instead of another "indestructible private eye" or flawed good guy, he plays a real asshole. Allegedly, he himself told a critic weeks prior to the film's opening, "I play the worst shit you ever saw." It's a great performance but a challenging part, one that perhaps fans weren't ready to see and co-workers weren't ready to award.

Here's who got nominated instead:

Wednesday, July 12, 2023

1948: Best Musical Score

How does one rate a score? True, this entire exercise is one of subjectivity (I'm sure there are Agnes Moorehead fans tsk-tsking), but how does one sit down, watch any of the five films listed today, and argue, "Well, clearly what Victor Young does with The Emperor Waltz is of a far superior quality, due respect, to what Alfred Newman is tasked to accomplish with When My Baby Smiles at Me?"

It'd be one thing if we were ranking the songs (that, I suspect, is why this category eventually became Best Song Score and went to the songwriters rather than music adaptors, but we'll save that for next month); we could very easily discuss the merits or otherwise of these particular Irving Berlin or Cole Porter scores. But this is more...complicated. This isn't about the songs but about the underscoring between songs, the dance breaks within those songs, and the opening credits made from the songs. It's not just about whether or not you like Berlin, but about whether what Green & Edens do with Berlin is effective enough to keep you entertained when you aren't hearing the lyrics.

To that end, here we go - the nominees for Best Scoring of a Musical Picture...

Friday, July 7, 2023

1948: The Season

Today marks the last day of the mini-reactions (I don't know if they're in-depth enough to count as reviews or critiques). This bunch takes us from October 1st straight through Christmas Day, what today would pass as Awards Season. Not so different then, frankly: of the 16 titles we bring up today, nine would go on to Oscar nominations with six winning at least one, accounting for 50% of the night's overall winners! It's true, for everything there is a season...