Showing posts with label The Big Sky. Show all posts
Showing posts with label The Big Sky. Show all posts

Tuesday, July 23, 2024

Oscars 1952: Best Supporting Actor

Supporting Actor. What a funny category, always. In 1952, neither the BAFTAs nor the New York Critics nor the National Board of Review had gotten on board with an award the Academy had been handing out since 1936. The Golden Globes had, but none of their three nominees were nominated at the Oscars: not The Happy Time's Kurt Kasznar, not The Bad and the Beautiful's Gilbert Roland, and not the winner, My Six Convicts' Millard Mitchell. Given that, who could be said was the favorite to win among these five?

I'm not sure how Arthur Hunnicutt came to his nod. I can guess that Sudden Fear's great reception pulled Jack Palance along for the ride. And with The Quiet Man once planned as John Ford's followup to The Informer, it seems good and proper that both the director and the star, Victor McLaglen, of that 1935 film would both end up nominated. But all were considered also-rans compared to Richard Burton, a leading man campaigned as supporting by his studio, for his star-making performance in My Cousin Rachel. Like Gary Cooper's second Best Actor Oscar, this was a foregone conclusion.

So everyone was surprised when Mexican actor Anthony Quinn, who'd been playing gangsters, Indians, and other supporting baddies for over a decade, won for playing a genuinely supporting part. He couldn't make it, but his wife accepted on his behalf:



...she being Katherine DeMille, daughter of none other than Cecil B. DeMille. It really was DeMille's night, huh?

Here's how I look at this lineup: 

Sunday, July 14, 2024

1952: The Next Two Nominees Are...

Two Best Picture nominees in one month!

Yes, we must be getting close to The Season, because while The Greatest Show on Earth debuted in February, it took til midsummer to get two of our other Best Picture nominees on the board: High Noon and Ivanhoe.


High Noon is, famously, an allegory for the blacklist. Carl Foreman wrote the screenplay about a man looking for friends and fellow defenders, abandoned by the people he thought he could trust when he needed them most, his doom egged on by a town that can only think in terms of how his presence effects their profits. Ivanhoe is not, it's a historical drama based on a beloved work of literature, but it was #1 at the box office four weeks in a row and the second highest-grossing 1952 release.

Both films came at the end of July. Of the twelve films we cover today, they're right in the middle. As you can see: