Thursday, April 18, 2019

Day Eleven: The Rest of the Nominees, 1961

Over the past two weeks, we've discussed the 1961 Academy Award nominees in the eight major categories, plus score and song. All together, that's 23 films we've looked at, plus a mention of the difficult-to-find Khovanshchina.

Ah, but there were even more films up for Oscars that year! After the jump, nine more nominees, and my thoughts 'upon them.

Tuesday, April 16, 2019

Day Ten: Best Picture, 1961

Best Picture: the last award given at the Oscars, the last Oscar category we're covering for 1961. Doesn't mean we're done with the year as a whole, though! I've still my own personal picks for the Best of the Year.

But that's still to come. Let's focus on the Academy's picks today, shall we? After the jump...

Monday, April 15, 2019

Wednesday, April 10, 2019

Day Seven: Best Adapted Screenplay, 1961

If the 1961 Oscars were looked at then as we do it now, Best Adapted Screenplay would be considered anyone's game. All five honorees received nominations from other bodies; four of them won. What's more, of the six writers, there was one previous winner, two previous nominees, and one who would return soon after. These are the big guns, Oscar-wise.

The nominees, after the jump.

Friday, April 5, 2019

Thursday, April 4, 2019

Day Four: Best Actor, 1961

When I look at the Best Actor nominees for 1961, my mind immediately leaps to the Tony Awards rules - you know, how if you're above the title, you're the de facto lead, and if you're below the title, you're featured/supporting? Anyway, when I see Charles Boyer) and Maximilian Schell (fifth-billed - was he the cut-off?) among the Lead Actor nominees, that's what I think.

That's all. The nominees after the jump.

Wednesday, April 3, 2019

Day Three: Best Scores, 1961

A double dose of Oscar fun today, as we look at the nominees for Best Dramatic/Comedy Score and Best Musical Score. The former is what we would now know as Original Score; the latter, an unused category that has gone through many permutations, from Adapted Score to Song Score to Original Musical Score. This year was an especially odd one - a non-musical is nominated for its original score in the Musical category, while a film not in the Musical category lifted its score entirely from another medium. The very next year, the categories were distinguished between Substantially Original Score and Adaptation Or Treatment Score. You'll see why.

We start with the nominees for Musical Score - after the jump...

Tuesday, April 2, 2019

Day Two: Best Original Screenplay, 1961

In 1961, the Golden Globes weren't awarding screenplays and the WGA Awards had three categories: Comedy, Drama, and Musical. I mention this because it was an unusually robust film for adaptations, which may help to explain the unusual nature of the year's Best Original Screenplay lineup. None of these screenplays were honored anywhere else; three of them are foreign films; one is actually an adaptation! Honestly, except for that last part, we could use more lineups like spirit, I mean. It's surprising, one-of-a-kind, and is willing to look outside the box to find the worthy.

The nominees after the jump.

Monday, April 1, 2019

Day One: Best Supporting Actor, 1961

Why 1961? A few reasons: With all the talk of Steven Spielberg's West Side Story remake, I wanted to revisit the original. There were a number of classics I needed to catch up with, such as Judgment at Nuremberg and The Hustler. And it marked the release of Road to Eternity, the second chapter of Masaki Kobayashi's The Human Condition, so, you know, why not?

We start with the nominees for Best Supporting Actor, after the jump...