Friday, March 16, 2018

And Now The Screening Starts...

I have not seen very many new releases so far this year - just ten in three months! Here are a few thoughts on what I have seen...

dir/scr: Alex Garland, based on the novel by Jeff VanderMeer
seen: Pacific's The Grove Stadium 14

All the tweets I saw about how "mind-blowing" this movie is, could not prepare me for how often I dropped my jaw and silent-screamed at the screen. I don't know what to say because half the experience is the surprise and realization of what this kooky little flick is doing, and the less you know, the better. Just see it so we can bond over the dreamy climax, a sequence that had my brain at a meditative level that felt almost religious, spiritual. Annihilation, man. Wow.

More after the jump, including Fifty Shades FreedBlack Panther, and even a friend's film!

Sunday, March 4, 2018

Super Last-Minute Oscar Predictions

Best Picture
It's the most up-in-the-air category this season, making for one of the most exciting Best Picture races in history. Best Picture is decided by a preferential ballot system that I am not going to explain but recommend you look up, which for many means that the least divisive nominee with the most fans wins - thus, The Shape of Water, which few dislike and which won the big prize at the PGA Awards and DGA Awards. But each Oscar year tends to follow a pattern, meaning your Best Picture winner is most likely whoever's won the most going in - thus, Three Billboards outside Ebbing, Missouri, which triumphed at the SAG Awards, Golden Globes, and BAFTA Awards. But also, the past four winners first triumphed in the Best Film category at the Independent Spirit Awards - thus, Get Out, which just became the latest to win that honor on the eve of the Academy Awards.

(twists and turns, after the jump....)

Friday, March 2, 2018

The 1982 Retro Hollmann Awards, Part Two

Yesterday, Victor/Victoria and Poltergeist led the pack with two wins each out of the nine categories. Today, we conclude our trip back to 1982. Again, check out the 1982 Retro Hollmann Awards Nominations and Top Ten for more context.

Now - on with the show!

Best Editing

The Best Little Whorehouse in Texas
David Bretherton / Nicholas Eliopoulos / Walt Hannemann / Pembroke J. Herring / Jack Hofstra

2. Tootsie; 3. The Road Warrior; 4. The Long Good Friday; 5. Edo Porn

Everything hits at the right time in The Best Little Whorehouse in Texas: every dance step, musical sting, double entendre. It takes its time for "Hard Candy Christmas" and the date night between Mona and Ed Earl, then ramps up the energy for "The Aggie Song", "Little Bitty Pissant Country Place" and the encounter between Ed Earl and Melvin P. Thorpe. Not a wasted moment.

In second, the laughs and confusion of Tootsie. In third, the high-speed action of The Road Warrior. In fourth, the violence of The Long Good Friday. In fifth, the erotic exuberance of Edo Porn.

Thursday, March 1, 2018

The 1982 Retro Hollmann Awards, Part One

It's the 1982 Retro Hollmann Awards, celebrating the best in cinema 35 years ago!

For full context, remember to check out the Top Ten, which includes a complete list of the film screened. Also, take a look at the Retro Hollmann Awards Nominations, for a complete list of the nominees.

With the exception of Best Ensemble, which doesn't exist at the Oscars, the categories are presented in the same order as they were at the original 55th Academy Awards on April 11, 1983. Shall we begin?

Best Ensemble
Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean
Scott Bushnell

2. Fast Times at Ridgemont High; 3. Eating Raoul; 4. Tootsie; 5. Best Friends

If you want an effective cast, have them do the play first! It worked for Fences, and it worked for Come Back to the 5 & Dime Jimmy Dean, Jimmy Dean, which transfers the entire cast from the original Broadway production to the big screen. Smart move for a story about women who've known each other 20 years; there's a real sense that everyone not only knows one another but has for decades. An easy, unmistakable familiarity.

In second, the students and faculty of Ridgemont High. In third, the offbeat assemblage of personalities in Eating Raoul. In fourth, Tootsie's New York showbiz types. In fifth, the families at the center of Best Friends.