Halfway Point

It's the first of the month, so you know what that means: an update of the Top Ten so far. Last month, Korean thriller Mother came out on top, followed by the unreviewed Blue Valentine, the flawed but refreshing The Runaways, A Prophet and Greenberg. The Ghost Writer, Kick-Ass, Shutter Island, Iron Man 2 and Hot Tub Time Machine finished in the last half of the Top Ten, nothing to sniff at, I assure you. But now that we've gotten through the first half of the year, a new list must be made, one that more clearly defines the state of film at this present juncture. I still haven't reviewed Casino Jack and the Unites States on Money, nor have I shared my thoughts on Please Give. Nevertheless, here we go:

THE CURRENT TOP TEN
1. Mother
2. Blue Valentine
3. Toy Story 3
4. The Karate Kid
5. The Runaways
6. The Ghost Writer
7. Greenberg
8. A Prophet
9. Kick-Ass
10. Hot Tub Time Machine

Not just new additions, but some re-arranging as well.

So Far, These Are So Good

The month of May is at an end, and I've finally seen enough worthy films to make a Top Ten (So Far). Check it out on the sidebar (alphabetically), or right below (in descending order of love). Some of these movies have not gotten proper reviews, and I don't know why. I'll get on that.

1. Mother
2. Blue Valentine
3. The Runaways
4. A Prophet
5. Greenberg
6. The Ghost Writer
7. Kick-Ass
8. Shutter Island
9. Iron Man 2
10. Hot Tub Time Machine

"Life is Wasted on...People"

There's a running joke in Greenberg, wherein the protagonist sits in the passenger seat of his friends' cars as they drive. As the drivers maintain conversation while driving, Greenberg is constantly interrupting. "Light's changed," he'll say, or "Use your signal". The punchline: Greenberg doesn't drive.

This bit of business defines the character perfectly. For Roger Greenberg, probably the best performance Ben Stiller's given since Zoolander, is an asshole. And not just an asshole, but the kind of asshole who knows everyone else is wrong, even if they have more authority on the subject than he does. Moody, emotionally abusive, overly critical, and pretentiously unpretentious, Greenberg both unlikable and sympathetic. You want him to wake up and realize what a jerk he is, yet you sense that it's not going to happen. Some people just don't change. But you can hope, right?

Greta Gerwig is the love interest, a bright spot amidst the melancholy. Though she, too, is a lost soul, she at least has the ability to smile without maliciousness. Gerwig crafts her character subtly and believably, and I couldn't help falling in love with her. The play between her and Stiller is funny yet scary, as they go back-and-forth between expressing their affection for each other and violently pushing away. Rhys Ifans also appears as the only other emotional tie for Greenberg, his best friend from college. I always forget how much I like him; here, he is just as subdued as the rest, but no less effective.

If there is a stumbling block, it's in its portrayal of the youth. Really? None of these twenty-somethings know have heard of Duran Duran or "Disco Inferno"? One could argue that they are crafted from Greenberg's perception of them, but the movie does not do this with anyone else. As a 21-year-old, I could only sigh. Seriously, not knowing "Disco Inferno"? It's not radios disappeared with the advent of the iPod. It's not like we didn't have parents or older siblings. And does anyone listen to Korn anymore?

But that's just every now and then. Mostly, it's a fascinating look at the 90s slacker finally coming of age...twenty years too late (I admit, that's my roommate's analysis, and I'm stealing it). It's an interesting little movie, hilarious and thoughtful. And again, great Ben Stiller performance. It makes me want to see Margot at the Wedding...or maybe revisit The Squid and the Whale, which I haven't seen since its release (I hated that movie...until I got out of the theater and started talking about it). Mostly, it makes me really appreciate the talent of Noah Baumbach.