This year for the Hollmann Awards, we're counting down my Top Ten of the Year -- one entry per day, coupled with two categories -- leading up the naming of Best Picture of the Year.
#6. The Perks of Being a Wallflower
wr: Stephen Chbosky, from his novel
cin: Andrew Dunn
The surprise of the year for me was The Perks of Being a Wallflower. I didn't think much of the trailer, which had some good music looked like it was selling every high school movie I could think of ("we accept the love we think we deserve"? who says that?!). But I went to see it because my best friend recommended it and because I see everything. And I swear to you those tears started coming when titular wallflower Charlie got off that wall and joined in a dance to "Come On, Eileen". This movie got me, and we were only fifteen minutes in. Maybe less, I don't know.
One thing I love about the movie is its universality. If 21 Jump Street is a brilliant satire about the cliques in separate extremes, Perks of Being a Wallflower is about the rest of us, the kids in the middle who weren't the most popular or most hated or most nerdy, but just getting through those four years alive. And to them, they are the cool kids, because every group of friends knows that theirs is the best group to be a part of, where everyone really gets it. It took me back to when the whole world was the weekends I could spend with my friends, and reminded me of those crucial firsts in every teen's experience. We've all that first time with Rocky Horror, right?
And yet despite being applicable to all, the characters are not ciphers or stand-ins. The general events are universal, but the experience is specific, and I was grateful that there was no need to hold the audience's hand. I love that although the consistent subplot is Charlie's crush on Sam, the movie wasn't about unrequited, or even requited, love, dedicating time to closeted gay teens, charitable dating, abusive relationships, and repressed trauma. It never felt condescending or self-important, but another aspect of someone's life, like getting to know one of your friends better.
Few films so perfectly execute both, but Perks is that rare gem. It sees things, and it understands. And also? "We accept the love we think we deserve" is genius in context.
The Perks of Being a Wallflower just lost Cinematography to Skyfall, but it's also nominated for Best Adapted Screenplay and Best Actor. And yes, we're doing both right now.
BEST ADAPTED SCREENPLAY
5. Rust and Bone
screenplay Jacques Audiard/Thomas Bidegain
based on the short story collection by Craig Davidson
4. 21 Jump Street
screenplay by Michael Bacall
story by Michael Bacall/Jonah Hill
based on the television series
3. Cloud Atlas
screenplay by Tom Tykwer/Andy Wachowski/Lana Wachowski
based on the novel by David Mitchell
screenplay by Tony Kushner
based on the book Team of Rivals: The Political Genius of Abraham Lincoln by Doris Kearns Goodwin
1. The Perks of Being a Wallflower
screenplay by Stephen Chbosky
based on his novel
4. Daniel Day-Lewis as Abraham Lincoln
Shows the warmth, humility and humor of the man, while also developing the stubborn, at times deceitful, maritally distant weirdo. A president that you can easily see people not "getting" or disliking, but also the president we've always dreamed of. Such tired understanding in his eyes, too!
3. Jamie Foxx as Django
2. Logan Lerman as Charlie
The Perks of Being a Wallflower
1. Matthias Schoenaerts as Alain van Versch
Rust and Bone
Tough choice in the Adapted category, but Perks is the only film who screenplay I felt necessary to obtain and keep. So, you know. Anyway, that's three nominations and one win. It's worth noting that it took me two days to decide if it was #6 or #5. And I'm still not sure if I made the right choice. I do love it, though.
Previously: #7. 21 Jump Street
#8. Moonrise Kingdom
#10. Beasts of the Southern Wild