Showing posts with label Bugsy. Show all posts
Showing posts with label Bugsy. Show all posts

Tuesday, October 13, 2026

Curly's Gold: Best Supporting Actor, 1991

So now that we've briefly gone over the 75 films screened from 1991, we can get into the Academy Awards. Just going by the non-specialty feature-length narrative categories, 25 films were nominated across 18 categories. We're only going to discuss a few of them this week, the nominees for Acting, Directing, and Best Picture, and, just like the 64th Academy Awards ceremony, we're starting with Best Supporting Actor:

Tommy Lee Jones, JFK
Harvey Keitel, Bugsy
Ben Kingsley, Bugsy
Michael Lerner, Barton Fink
Jack Palance, City Slickers

Three first-time nominees (Jones, Keitel, Lerner), three from (two) Best Picture nominees (Jones, Keitel, Kingsley), and one previous winner (Kingsley). Lot of overlap there, except for Hollywood veteran Jack Palance, up for his scene-stealing turn as cattle driver Curly in the smash hit City Slickers, his third nomination in a career that dated back to 1950’s Panic in the Streets. Veteran actor in a popular film giving the performance everyone's talking about - it's a familiar formula, you might even call it a winning one:



He wasn't the only winner of the lot, though. Keitel, up for playing the Los Angeles mobster Mickey Cohen, who teams up with Bugsy Siegel in Bugsy, was named Best Supporting Actor by the National Society of Film Critics for three roles: Bugsy, Thelma & Louise, and Mortal Thoughts (didn't see it). Lerner, as an Old Hollywood studio magnate in Barton Fink - a bit of Selznick, a bit of Mayer - hired a publicist and financed his own Oscar campaign after the Los Angeles Film Critics anointed him Best Supporting Actor at their annual awards; the absence of his co-star John Goodman, Golden Globe nominee and second runner-up at the New York Critics Circle Awards, was considered a surprise. As for the others, Kingsley, as New York mobster/Siegel's oldest friend Meyer Lansky, had been nominated at the Golden Globes, while Jones, as politician Clay Shaw, the only person ever put on trial for conspiring to assassinate President Kennedy, had only been honored by the Dallas-Fort Worth Critics Association, and Lord knows they're a prime target for Dealey Plaza stories. 

He was also nominated at the BAFTAs, but due to British release dates, that wouldn’t happen until the following year. In fact, none of the nominees here were up for the 1991 BAFTAs, whose four-wide category consisted of Alan Bates for the 1990 Hamlet, Derek Jacobi for Dead Again, singer Andrew Strong for The Commitments, and Alan Rickman, who won for Robin Hood: Prince of Thieves. I think our category’s stronger, frankly!

My own rankings, from fifth to first: 

Friday, October 2, 2026

A Holiday for Murder: 1991, Part Six

It’s been a longtime tradition that studios save their Oscar hopefuls for the end of the year - closer to voting, fresh in the memory. It's no surprise, then, that three of the five Best Picture nominees were all released in December, two of them in the timeline we present today: December before Christmas. One of those is Bugsy:


Bugsy is a biopic of Benjamin Siegel (Warren Beatty), a Jewish gangster whose titular nickname was then-contemporaneous slang for crazy, due to his tendency to violently fly off the handle. Siegel invented Las Vegas as we know it today; the film gets into the risks he took, the tension between East Coast mobster Meyer Lansky (Ben Kingsley) and West Coast mobster Mickey Cohen (Harvey Keitel), his romance with Virginia Hill (Annette Bening), whose legs inspired the name of the casino-hotel The Flamingo, and more. It was not a total success at the box office, but director Barry Levinson blamed that on the fact that their distributor was more focused on the release of Hook, which came out just nine days before. Well, Bugsy got a Best Picture nomination and two Oscars; Hook was the #6 Box Office Hit of 1991 and won zero of its five Oscar nominations and had the larger cultural impact (my generation certainly seemed to hail it as a masterpiece), so who really won here?

The other nominee is JFK. 


Oliver Stone had already made a name for himself as the button-pushing, Oscar-winning filmmaker behind Platoon and Born on the Fourth of July, as well as the screenplay for Midnight Express - this three-hour-and-change epic focuses on one New Orleans-based lawyer fixating on the much-discussed conspiracy to assassinate John F. Kennedy and the subsequent cover-up. Not your typical holiday blockbuster fare, but it made over $200M worldwide, won two Oscars, and permeated the culture (even Seinfeld has an episode referencing a “magic loogie”).

It makes you feel for the no-doubt hopefuls that played at the same time. Such as: