Showing posts with label Klaus Maria Brandauer. Show all posts
Showing posts with label Klaus Maria Brandauer. Show all posts

Tuesday, June 15, 2021

Oscar '85: Don Ameche and Best Supporting Actor

It's a lineup of one-and-done, where absolutely no one was nominated before, nor would they ever be nominated again. Not long ago, someone on Twitter called this the worst Supporting Actor lineup in history. I can understand that feeling, honestly, as many of the performances seem "lightweight," or at least less memorable compared to some of the year's other choices (John Lone in Year of the Dragon, Christopher Lloyd in Back to the Future, Danny Glover in The Color Purple...though I suspect he had a Best Actor push). On the other hand, I think a lot of the disappointment comes from the bastardization of what this category has become. These are all clearly character actors in supporting roles, even Roberts', none of them with towering subplots, no one a mega-star "slumming" it for an easy get. The closest you get to that is Don Ameche, a star in the 30s and 40s who'd aged into supporting roles. That veteran status is probably what catapulted him to the win - peep that standing ovation:



The film for which he won isn't the usual usual, either. Cocoon is a sci-fi-fantasy dramedy about a clique of senior citizens who frequent a neighboring pool during the off-season, when its renters aren't home. This year, unbeknownst to them, the home is occupied by aliens using the pool to rejuvenate cocoons of their left-behind brethren; suddenly, it becomes the Fountain of Youth, and our old-timers enjoy a renewed vitality. A surprisingly moving treatment of mortality and loss, with a great ensemble and beautiful score from James Horner. Other films nominated here: Best Picture nominees Out of Africa and Prizzi's Honor; Jagged Edge, a wonderful pulpy legal thriller in which a defense attorney falls in lust with her client, accused of raping, then murdering, his wife; and Runaway Train, an uninvolving thriller about two escaped prisoners on a speeding train with no crew, and no signs of stopping. And the performances nominated? They are: