My life is full of planned projects that may or may not yield results. I suppose most everyone's is, but let's take some time to focus on me, shall we? Besides the film school stuff (two docs, an F2, an F3, thesis), besides the new drafts I should write (two), besides the screenplays I have in mind (three right now, and one beginning to work its way into an idea), there's one project in particular that I'm gravitating towards.
Hint: It's nothing to do with movies.
Hint 2: Okay, it does, but only insofar as adapting one goes.
Hint 3: Song and dance.
YesyesYES!Yes, it is my dream to jump on the bandwagon and write a musical based upon a film. Now, friends and I have discussed this before. Will the success of the new
Priscilla, Queen of the Desert musical inspire me to begin
To Wong Foo: The Musical? Is it time to transfer
Bullets Over Broadway to the stage? Should Ben and I finally get to work on Henry Fielding's
Tom Jones, featuring songs made popular by Tom Jones? Eh, maybe.
But the one that really intrigues me. The one that gets my brain a-going. The one that makes me go, "YES! It is time!"
Oh, hell yes. So far, we have stage adaptations of cult classics, Razzie winners, and The Wedding Singer, but why oh why has no one written a musical based on a biopic yet? It just means combining two amazing things. Look, Broadway loves musical bios (The Sound of Music) as much as it loves a good movie musical (not the MGM kind). Hell, they love Nixon.
Tony AND Oscar noms? Frost/Nixon, you slut!
So all three elements are in place. They are tried and true formulas. This is just the next logical step. And you know who would agree? Richard Nixon. Don't believe me? See for yourself:
Aw yeah.
What is
Nixon if not a theatre piece filmed for the cinemas? The acting, the music, the set design, the lighting, all of it screams "STAGE ME!" Even Oliver Stone decided to approach it as a Shakespearean melodrama. The beats are there; all one needs is to set the sequences to music, throw in a dance number...
Wait, it's already there? Now that's just eerie...
The only question is this: shall it be a musical or an opera? Because as a musical, it could be quite a diversion, even a treat. But as an opera with music by Philip Glass? Whew. The mind reels.
Although I did once have the idea of just basing some songs after ones that have already met with public approval:
"A place where nobody dared to go
The scandal we came to know
They call it Watergate..."
Too much?
What about you? Sound like a plan? What biopic would you like to see done as a musical, and how?