Showing posts with label The Great White Hope. Show all posts
Showing posts with label The Great White Hope. Show all posts

Thursday, December 17, 2020

1970, Day Eleven: Actress

Notable notes in the Best Actress competition for 1970 include this fun gem: it is, as of this writing, the last time an entire lead acting category was made up of first-time nominees. C'est vrai! Jane Alexander and Glenda Jackson would each be nominated another three times, but both were having their breakthroughs. As for the other three, none of them would ever be nominated again: Sarah Miles, taking the lead role in previously-discussed Ryan's Daughter; Ali MacGraw, the leading lady in #1 hit Love Story; and Carrie Snodgress, making her big screen breakthrough in Diary of a Mad Housewife. That film follows an unappreciated middle-class wife and mother whose husband's social-climbing wears her down physically, mentally, emotionally. Then she becomes a writer's fuck-buddy and begins coming into her own. The movie is the performance, so let's discuss that...and the others:

Wednesday, December 16, 2020

1970, Day Ten: Actor

The Best Actor nominees this year were all nominated at the Golden Globes for Best Actor in a Drama. That includes, among the other previously discussed and soon-to-be-discussed films, The Great White Hope, a compelling drama about a black boxer who becomes a target of the US government not just because of his becoming heavyweight champion of the world over all the white competitors, but because of his relationship with a white woman. Thoughtfully written, perfectly cast (in addition to nominees James Earl Jones and Jane Alexander, the ensemble boasts Lou Gilbert, Beah Richards, Marlene Warfield and Hal Holbrook), with an eye for detail and a scale of design on par with most epics.

But there were no Comedy/Musical Globe nominees! Just straight-faced misses. That means the Oscars skipped out on:

  • Richard Benjamin for Diary of a Mad Housewife. As the ambitious husband pressuring his wife to help him surpass the Joneses, Benjamin is obnoxious, thoughtless, amusing. He's also supporting Carrie Snodgress, and supporting is where he belongs!
  • Albert Finney for Scrooge, a musical adaptation of A Christmas Carol. Finney was in his early 30s when he took the role of 50+ Ebenezer Scrooge. Despite winning the Golden Globe and already being a nominee for Best Actor, he missed out...though he'd eventually return to the Academy's good graces. I'm glad they didn't. He's...miscast.
  • Elliott Gould and Donald Sutherland for MASH. As Trapper John, M.D., and Benjamin "Hawkeye" Pierce, respectively, Gould and Sutherland anchor the anarchy. Gould was nominated the year before for Bob & Carol & Ted & Alice; Sutherland is still waiting.
  • Jack Lemmon for The Out-of-Towners. Lemmon's everyman routine gets an edge. Visiting NYC for a business meeting that he hoped to parlay into a getaway with his wife, the domino effect of just terrible mishaps that greet them quickly take him from harried businessman to entitled asshole. It is hostile and the best.
Instead, they went for: