BECKET
Geoffrey Unsworth, director of photography
***
Unsworth does marvelous tricks with his lighting. He gives us a fuller sense of the glory of God.
CHEYENNE AUTUMN
William Clothier, director of photography
****
Certainly the snowy climax is impressive enough, but I adore those mountains and rivers and officers' tents. Beautiful work.
MARY POPPINS
Edward Colman, director of photography
****
Really: it never left the soundstage, yet that exterior is perfectly lit! But, of course, I have to go with the iconic chimney sweeps and the Bird Woman, with that Vaseline sheen on the edges.
MY FAIR LADY
Harry Stradling, director of photography
*****
Also a soundstage show, Stradling gives us equally beautiful day and night.
THE UNSINKABLE MOLLY BROWN
Daniel L. Fapp, director of photography
**
Subtle work, solidly done.
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Oscar and I once again team up to bring you the champion:
HARRY STRADLING
for
MY FAIR LADY
I could have danced in this light
