Two months and 52 films later...here we are: The finalists for the 1964 Hollmann Awards. Some caveats before we begin: there were nineteen original screenplay contenders that I whittled down to fifteen, so...I guess it's not that representative of a group. And as for special effects, I had to keep it down to seven finalists, what with the limited number of contenders there. And I won't be separating the crafts into color/black-and-white, which may seem unfair for cinematography (advantage: B&W) and costume (advantage: color), but you have to kill your darlings. It's the right thing to do.