Showing posts with label Quartet. Show all posts
Showing posts with label Quartet. Show all posts

Thursday, March 1, 2018

The 1982 Retro Hollmann Awards, Part One

It's the 1982 Retro Hollmann Awards, celebrating the best in cinema 35 years ago!

For full context, remember to check out the Top Ten, which includes a complete list of the film screened. Also, take a look at the Retro Hollmann Awards Nominations, for a complete list of the nominees.

With the exception of Best Ensemble, which doesn't exist at the Oscars, the categories are presented in the same order as they were at the original 55th Academy Awards on April 11, 1983. Shall we begin?

Best Ensemble
Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean
Scott Bushnell

2. Fast Times at Ridgemont High; 3. Eating Raoul; 4. Tootsie; 5. Best Friends

If you want an effective cast, have them do the play first! It worked for Fences, and it worked for Come Back to the 5 & Dime Jimmy Dean, Jimmy Dean, which transfers the entire cast from the original Broadway production to the big screen. Smart move for a story about women who've known each other 20 years; there's a real sense that everyone not only knows one another but has for decades. An easy, unmistakable familiarity.

In second, the students and faculty of Ridgemont High. In third, the offbeat assemblage of personalities in Eating Raoul. In fourth, Tootsie's New York showbiz types. In fifth, the families at the center of Best Friends.

Friday, February 9, 2018

True Stories and Other Stories: 1982, Part Six

It is said that truth is stranger than fiction, which is probably why so much fiction is founded in fact: biopics, roman à clefs, historical epics, etc. With that in mind, this batch of films, with one or two exceptions, is dedicated to cinema that finds fantasy in reality.

Quartet
dir: James Ivory (A Room with a ViewHowards EndThe Remains of the Day)
scr: Ruth Prawer Jhabvala, based on the (semi-autobiographical) novel by Jean Rhys

Young woman falls in with dysfunctional married couple. Fine performances mostly, though motivations remain murky and at least one curious casting decision undermines the whole film. It certainly looks nice, and Maggie Smith is, as always, superb.

Gandhi, Fitzcarraldo, and more after the jump...