Showing posts with label RoboCop. Show all posts
Showing posts with label RoboCop. Show all posts

Friday, October 11, 2024

1990: Ghost Makes the Most

Take a look at the announcement of the nominees for the 63rd Academy Awards. Particularly, 2:52 onward. Listen, you'll hear murmurs, stunned surprise, as the third Best Picture nominee is named: Ghost.


Well, why not Ghost? A supernatural romance about a murdered man's ghost trying to save his living girlfriend from being the killer's next victim, it's a film with something for everyone: hot protagonists (Patrick Swayze! Demi Moore! Tony Goldwyn!), Whoopi Goldberg providing comic relief, heartfelt conversations about faith and the afterlife, about love and the expression of it, and the kind of ending guaranteed to wring tears. Critics, from what I can tell, were generally, "Eh," on it, with the main criticisms being its various tones and the "sentimental" finale.

Audiences, on the other hand, loved it. In its first weekend following its July 22nd release, Ghost settled for the #2 slot while Die Hard 2 took #1. The week after, it was #1; by the end of the year, it was the top-grossing movie of 1990 - not just in the USA, in the world. It brought the Righteous Brothers' recording of "Unchained Melody" back to the Billboard charts. In the leadup to the Oscar nominations, it was acknowledged as among the best of the year by the American Society of Cinematographers, the American Cinema Editors, the Writers Guild of America, and the Golden Globes. Before its Best Picture nomination, it had already, that very morning, captured nominations for Best Supporting Actress (Whoopi Goldberg - who won), Best Original Screenplay (which it won), Best Film Editing, and Best Score. The critics were shocked and appalled, but people liked the movie!

I'll get more into my own feelings on Ghost when I discuss the Best Picture nominees. I've also already given my thoughts on The Two Jakes (August 10) and The Exorcist III (August 17). So here are other releases comprising Summer 1990...

Monday, June 4, 2018

The 1987 Retro Hollmann Awards, Part One

Part One of the 1987 Retro Hollmann Awards begins....now!

Best Production Design

Empire of the Sun
Norman Reynolds, production designer
Charles Bishop, supervising art director
Harry Cordwell / Michael Ford, set decorator

2. La Bamba; 3. The Last Emperor; 4. Tampopo; 5. The Lost Boys

The vast layout of the airfield-adjacent prison camp alone earns Empire of the Sun its place here; doubly so for the details within, from the hierarchy of the American barracks to the lack thereof in the English ones to the scarceness of the hospital. There's also the abandoned stadium, filled with riches confiscated from white man's mansions. The mansions themselves, going from pristine to abandoned to newly-decorated. And the recreation of 1930s Shanghai and its foreign concessions.

In second, La Bamba's rags to riches as expressed through living conditions and performance venues. In third, The Last Emperor's time-sealed Forbidden Kingdom, superficial Manchukuo, and anonymous grey prison. In fourth, Tampopo's ramen houses, hotel rooms, dishes. In fifth, The Lost Boys' vampire cave, cluttered family home.

Just below the jump is my winner for Best Supporting Actress - and long after it, my pick for Best Score. Much more in between, so do continue...

Tuesday, May 8, 2018

Reviews of '87: Keep It Brief

The following films should be easy to remember - they are, after all, only one word apiece!

RoboCop
dir: Paul Verhoeven
scr: Edward Neumeier & Michael Miner
Oscar Winner: Special Achievement Award for Sound Effects Editing
Oscar Nominee: Best Film Editing, Best Sound

Near future cop becomes law-and-order cyborg. Fierce critique of commodification of public services increasingly relevant; glorification of violence also biting (RoboCop is a good guy with a gun!). Not a detail missed: the ads, the cheery news reports, murder as minor setback at work. Peter Weller's performance a ballet of understatement. Lean, mean, sharp. Dare I say...perfect?

Ten more, including Predator and Mannequin, after the jump...