We're in the thick of Summer '03 now, July 25-September 26. Two Best Picture nominees were released in this peiod, the studio sports drama Seabiscuit and the indie dramedy Lost in Translation. But as I said in 1990 and in 1997, we're here for Kevin Costner, so let's focus on that.
After a gap of only six years, Costner returned to the big screen with Open Range. Based on The Open Range Men, a 1990 novel by prolific Western author Lauran Paine, the film follows a group of men herding cattle across the land who are stopped in their endeavors by the powerful rancher of a nearby town who detests open range cattlemen, and is willing to kill, so, you know, our main duo elect to stay in town and prepare for the inevitable.
Costner grew up reading the works of Paine, and I think it's interesting that the novel he went with came out the same year as his Dances with Wolves. He cast Duvall, who made his directorial debut with 1997's The Apostle, the same year as Costner's second film, The Postman. I'm sure these vague connections were not thought of at the time, but it always strikes me, the way lives are just always circling around each other, time constantly in conversation with itself.
Filming between June and September of 2002 on a, for Costner, modest budget of $22 million, the film opened to good reviews and good box office. Heck, I remember seeing the TV ads ("You're the one killed our friend?" BANG!) during every commercial break. Why it never managed to take hold in the Oscar race, I'm not sure. Just one of those things, I guess. It would be 21 years before Costner gave us another movie...which we'll discuss another time.
Of the thirteen discussed below, five were brand new to me: American Splendor, Freaky Friday, Matchstick Men, Open Range, and Thirteen. Of the rewatches, Party Monster and Freddy vs. Jason are the only ones I've seen more than twice (more than thrice!).
