Showing posts with label These Three. Show all posts
Showing posts with label These Three. Show all posts

Tuesday, August 23, 2022

The 1936 Retro Nominees Are...

I've written a lot about these films by now. You've seen my write-ups of Oscar's nominees, you've seen the Top Ten, you've seen the full list of 71 films screened. Only 31 of those films are named here. In 18 categories, these are the nominees for the 1936 Retro Hollmann Awards:

Monday, August 22, 2022

My Top Ten of 1936

Yes, a day late, but I needed time to consider everything! It was difficult to narrow it down, and I had to sacrifice such treasures as Ah, Wilderness!, The Green Pastures, and Rose Marie. But I think I ended with a satisfying Top Ten of 1936.

In alphabetical order:

Wednesday, August 10, 2022

1936: Supporting Actress

Yesterday, we discussed - briefly - the origins of the supporting categories. Today, we discuss the greatest thing to come out of that process: the Best Supporting Actress category. Blogs have been dedicated to it, hours of online debate have been spent on it, great careers have been honored in it. It is, in my opinion, the best category at the Oscars.

Just as its male counterpart established its habit of honoring industry veterans with long CVs, the first Best Supporting Actress race established its traditional mix of old hands, newcomers, youths, and matriarchs. Broadway vet Beulah Bondi had been in films since reprising her stage role for the 1931 screen adaptation of Street Scene; frankly, I wouldn't be surprised if that performance also added to the formation of this category and her being among its first honorees. Alice Brady started in films in 1915, took a ten-year break to focus on stage work (during which she originated the lead role of Lavinia in Mourning Becomes Electra), and came back to play moms in 1933. Future Nancy Drew star Bonita Granville was a child star, making her debut at age 10 in 1932's Westward Passage. The two first-timers were hardly newbies. Sixty-year-old Maria Ouspenskaya was an experienced stage performer and acting teacher who brought the Stanislavski Method to the United States, while 36-year-old Gale Sondergaard had been on Broadway since 1928. Anthony Adverse was her movie debut, clearly an auspicious one: she became the first Best Supporting Actress winner.


Deservedly so? That's what we're here to discuss: