Showing posts with label Marion Bailey. Show all posts
Showing posts with label Marion Bailey. Show all posts

Tuesday, October 10, 2017

Casting Coup Tuesday: The Mirror Crack'd

It's Casting Coup Tuesday, where we dream-cast an imaginary adaptation of a beloved work. All month long, we're celebrating the Queen of Crime as she and her works appeared on screen, in anticipation of the November 10th release of Murder on the Orient Express. Last week, we imagined a second Poirot. This week, may we suggest a Miss Marple?


Published in 1962, the majority of The Mirror Crack'd is an observation of the changing landscape of England, especially its countryside, 15 years after The War. Since then, St. Mary Mead has been incorporated, a new suburban row of homes - dubbed the Development - has been built behind the vicarage, Miss Marple has found need for a daily companion, Dr. Haydock is retired, and Mrs. Bantry is now a widow who has sold her home to a Hollywood star.

It's the Hollywood angle that made this an obvious choice for le cinema, as we discussed earlier today. Besides the 1980 flick, the Joan Hickson television series made this the series finale...and while the Geraldine McEwan-Julia McKenzie series kind of buried it, it did cast Lindsay Duncan.

I think the main issue - not with the Hickson version, that was perfect - but the main issue has been the pressure to do the Hollywood thing, but not taking advantage of the book's most interesting aspects. They do Hollywood catfights, but not Hollywood's prescription drug problem; they explore the pressure of older actresses to seem younger (which the book does not), but ignore the multiple adopted children of Hollywood starlets. What in the world!

Which makes it ripe for a remake.

The cast after the jump. All italicized descriptions come from the Cast of Characters on page xi of the large print edition published by G.K. Hall & Co. in 1992.

Saturday, February 21, 2015

Your Winners for the 2014 Hollmann Awards!


No boring speeches... No big lead-ins... But still musical numbers! It's the Hollmann Awards!

BEST COSTUME DESIGN


Milena Canonero
The Grand Budapest Hotel
Wes Anderson films have always been the reliable source for Costumes with a capital "c" -- the old European hotel setting allows for some old school elegance, even while staying true to the auteur's specific look.

2. Mr. Turner, 3. G.B.F., 4. The Immigrant, 5. Pride


BEST ENSEMBLE

Fiona Weir
Pride
Everyone is given their moment to shine, and there's not a weak link in the bunch -- all 468 actors nail the balance of drama and comedy, and each is recognizably human.

2. Mr. Turner, 3. Gone Girl, 4. Selma, 5. We Are the Best!

One of these winning films won more than two! Which one? Find the answer, and more awards, after the jump!