Showing posts with label Liev Schreiber. Show all posts
Showing posts with label Liev Schreiber. Show all posts

Tuesday, October 10, 2017

Casting Coup Tuesday: The Mirror Crack'd

It's Casting Coup Tuesday, where we dream-cast an imaginary adaptation of a beloved work. All month long, we're celebrating the Queen of Crime as she and her works appeared on screen, in anticipation of the November 10th release of Murder on the Orient Express. Last week, we imagined a second Poirot. This week, may we suggest a Miss Marple?


Published in 1962, the majority of The Mirror Crack'd is an observation of the changing landscape of England, especially its countryside, 15 years after The War. Since then, St. Mary Mead has been incorporated, a new suburban row of homes - dubbed the Development - has been built behind the vicarage, Miss Marple has found need for a daily companion, Dr. Haydock is retired, and Mrs. Bantry is now a widow who has sold her home to a Hollywood star.

It's the Hollywood angle that made this an obvious choice for le cinema, as we discussed earlier today. Besides the 1980 flick, the Joan Hickson television series made this the series finale...and while the Geraldine McEwan-Julia McKenzie series kind of buried it, it did cast Lindsay Duncan.

I think the main issue - not with the Hickson version, that was perfect - but the main issue has been the pressure to do the Hollywood thing, but not taking advantage of the book's most interesting aspects. They do Hollywood catfights, but not Hollywood's prescription drug problem; they explore the pressure of older actresses to seem younger (which the book does not), but ignore the multiple adopted children of Hollywood starlets. What in the world!

Which makes it ripe for a remake.

The cast after the jump. All italicized descriptions come from the Cast of Characters on page xi of the large print edition published by G.K. Hall & Co. in 1992.

Wednesday, June 21, 2017

Casting Coup: Ordinary People

NOMINATIONS
Best Picture, Ronald L. Schwary - WON
Best Director, Robert Redford - WON
Best Actress, Mary Tyler Moore
Best Supporting Actor, Judd Hirsch
Best Supporting Actor, Timothy Hutton - WON
Best Adapted Screenplay, Alvin Sargent - WON

So, when I first started this project, I was still working, and when I announced I was going to watch Ordinary People one night, the reactions were decidedly split. My mentor and friend - let's call him Slim Daddy - was thoroughly in the pro camp, a man who believed every actor in the movie should have been nominated, and who was the right age for identifying with Conrad when it came out. He loved Mary Tyler Moore's performance.

Another camp was formed by the Kanye Fan - my generation, the one that grew up with the internet and could major in film studies. He didn't think Ordinary People was a bad movie, just not very cinematic, said if they made it today, it would be a Lifetime movie. It's fine. It doesn't go deep. It's melodrama.

Glory be, I may be a Raging Bull voter, but Ordinary People has stood the test of time because it skirts melodrama, it goes deep, it's better than fine. It's a story of the privileged, yes, but that's only in social class - there's no privilege in the way these people process death and grief. These are characters any actor kill to play - the mother both monstrous and mourning, the father stepping on eggshells, the son racked with guilt over both his actions and inactions. And those are just the leads!

It's a wonderful film - but could the magic ever be recaptured? Maybe if they had the right cast...

Tuesday, February 16, 2016

The Men of Spotlight, the Look of Mad Max: 2015 Hollmann Awards, Day One

Here we are! It's February 2016, but we're officially starting the Hollmann Awards of 2015! For the next three days, I'll give you my picks for the best of the year in eighteen different categories.

Today: Makeup, Supporting Actor, Visual Effects, Original Song, Cinematography, and Editing!

BEST MAKEUP/HAIRSTYLING
5. Carol
Jerry DeCarlo, hair department head
Patricia Regan, makeup department head


 Therese's makeup tutorial. Carol's blonde locks and sophisticated lips. Abby's whole thing.

4. The Throne



Prince Sado's progressively sallow skin, sunken eyes, and cracked lips as he slowly starves to death. The wizened white slowly taking over King Jeongjo's beard and hair. The careful hairstyles of the ladies of the court.

3. What We Do in the Shadows
Don Brooker, special makeup effects/prosthetics designer
Roger Murray, makeup effects designer
Dannelle Satherley, hair designer



The vampire ball.  The lifeless complexions, spattered with blood. The varying hairstyles and facial hair denoting the location and era of a vampire's "turn." And then there's Petyr.

2. The Revenant
Graham Johnston, makeup department head
Sian Grigg/Duncan Jarman, key makeup and prosthetics for Leonardo DiCaprio
Audrey Doyle, key makeup and prosthetics for Tom Hardy
Adrien Morot, special effects makeup department head
Robert Pandini, hair department head
Kathryn L. Blondell, hair stylist for Leonardo DiCaprio



Hugh's gaping wounds following a bear attack. Fitzgerald's surviving patch from a past scalping attempt. The matted, bloody, snotty, icy beards and untamed hair of the pioneers.

1. Mad Max: Fury Road
Lesley Vanderwalt, makeup/hair designer
Damian Martin, prosthetics supervisor
Elka Wardega, senior prosthetics make artist



Immortan Joe's diseased self and flowing locks. Max's parched lips and sunburnt face. Furiosa's war-like patch of black. The scarred, pale, skeleton-like War Boys. The sand blown features of the Vuvalini.

Best Supporting Actor and more after the jump!

Tuesday, May 4, 2010

Tony Award Nominees!

OK, and now the actual nominees:

BEST PLAY
In the Next Room, or The Vibrator Play
Next Fall
Red
Time Stands Still
Hey, I got one! I did think I'd get Behanding in Spokane as well, but obviously, I was wrong.

BEST MUSICAL
American Idiot
Fela!
Memphis
Million Dollar Quartet
And here I got two! I should've gone with Memphis, at the very least. The Addams Family was not very loved, after all.

BEST REVIVAL OF A PLAY
Fences
Lend Me a Tenor
The Royal Family
A View from the Bridge
Lend Me a Tenor got in instead of The Miracle Worker; I kind of thought it might.

BEST REVIVAL OF A MUSICAL
Finian's Rainbow
La Cage Aux Folles
A Little Night Music
Ragtime
Oh my God, they remembered Ragtime? Didn't that show close prematurely or something? This is awesome!

BEST ACTOR IN A PLAY
Jude Law, Hamlet
Alfred Molina, Red
Liev Schreiber, A View from the Bridge
Christopher Walken, A Behanding in Spokane
Denzel Washington, Fences
I guess one could make the argument that they're all movie stars...but one could hardly call Molina and Schreiber screen idols. They just happen to do films in between stage performances.

BEST ACTRESS IN A PLAY
Viola Davis, Fences
Valerie Harper, Looped
Linda Lavin, Collected Stories
Laura Linney, Time Stands Still
Jan Maxwell, The Royal Family

BEST ACTOR IN A MUSICAL
Kesley Grammar, La Cage Aux Folles
Sean Hayes, Promises, Promises
Douglas Hodge, La Cage Aux Folles
Chad Kimball, Memphis
Sahr Ngaujah, Fela!
See? Everyone I thought would get in did get in! Except for Nathan Lane. I really overestimated how much they'd like that show.

BEST ACTRESS IN A MUSICAL
Kate Baldwin, Finian's Rainbow
Sherie Rene Scott, Everyday Rapture
Montego Glover, Memphis
Christiane Noll, Ragtime
Catherine Zeta-Jones, A Little Night Music
I haven't even heard of Everyday Rapture, but I did hear Sherie Rene Scott was in a musical this year. Oscar Winner Zeta-Jones must be overjoyed right now, though surely this nom was a given?

BEST FEATURED ACTOR IN A PLAY
David Alan Grier, Race
Stephen McKinley Henderson, Fences
Jon Michael Hill, Superior Donuts
Stephen Kunken, Enron
Eddie Redmayne, Red
And all I can think is that Julianne Moore's son from Savage Grace is a Tony Nominee.

BEST FEATURED ACTRESS IN A PLAY
Maria Dizzia, In the Next Room, or The Vibrator Play
Rosemary Harris, The Royal Family
Jessica Hecht, A View from the Bridge
Scarlett Johansson, A View from the Bridge
Jan Maxwell, Lend Me a Tenor
Ms. Maxwell, you've been a busy gal this year! I hope Scarlett's nom gives her detractors pause; the woman is a glorious actress, and now she's got a Tony nomination!

BEST FEATURED ACTOR IN A MUSICAL
Kevin Chamberlain, The Addams Family
Robin De Jesus, La Cage Aux Folles
Christopher Fitzgerald, Finian's Rainbow
Levi Kreis, Million Dollar Quartet
Bobby Steggert, Ragtime
Chamberlain got in! I am really excited that two shows that closed early, Finian's Rainbow and Ragtime, are doing so well.

BEST FEATURED ACTRESS IN A MUSICAL
Barbara Cook, Sondheim on Sondheim
Katie Finneran, Promises, Promises
Angela Lansbury, A Little Night Music
Karine Plantadit, Come Fly Away
Lillias White, Fela!

BEST BOOK OF A MUSICAL
Everyday Rapture
Fela!
Memphis
Million Dollar Quartet

BEST ORIGINAL SCORE
The Addams Family
Enron
Fences
Memphis
Fences and Enron, two straight plays, have nominations for score? Have things changed that much? Perhaps the increase of jukebox musicals and the rise of scoring straight plays (these aren't movies, people) called for drastic measures. Le sigh.

BEST DIRECTION OF A PLAY
Michael Grandage, Red
Sheryl Kaller, Next Fall
Kenny Leon, Fences
Gregory Mosher, A View from the Bridge

BEST DIRECTION OF A MUSICAL
Christopher Ashley, Memphis
Marcia Milgrom Dodge, Ragtime
Terry Johnson, La Cage Aux Folles
Bill T. Jones, Fela!

Saturday, May 2, 2009

Things to Like About X-Men Origins: Wolverine

The opening credit sequence, in which we are given a history of Sabretooth and Wolverine via their involvement in every war from the Civil one through Vietnam. It's pretty cool, I have to admit. The music's right, the cinematography is awesome, hell yeah.


Liev Schreiber as Sabretooth/Victor Creed. Thank goodness someone can balance fun with awesome. I wish we could see more of him.

The trailers that played before the movie were good, too. I'm super-excited for Transformers: Rise of the Fallen. Looks like a big pile of awesome. I love Michael Bay. He makes what he wants and never apologizes for it.

And...yeah, that's about it. Not a good movie. Nope. Not even if you stretch your imagination a little. Oh, don't get me wrong, there's fun to be had -- some parts have just enough awesome stupidity to make you go, "Okay, what next?" Then the "next" comes, and it's thoroughly disappointing.

C? C-? Somewhere along those lines.

Shame on you, Hugh Jackman.