With two nominations here, Network becomes the rare film to get five acting nods (Mrs. Miniver, All About Eve, From Here to Eternity, On the Waterfront, Tom Jones, Bonnie and Clyde are the others). Sylvester Stallone is the first since Charlie Chaplin to be up for both Best Actor and Best Original Screenplay without a co-writer! Giancarlo Giannini is only the third male actor ever nominated for a foreign language performance - funnily enough, the second was fellow nominee Robert De Niro (The Godfather: Part II). And all three were in Italian!
Oh, and of course, Peter Finch becomes the first posthumous acting winner:
History was made on nomination morning. Once again, a bunch of white men were up for Best Director. But for the first time ever, a woman's touch was finally felt in the category. That was the Italian filmmaker Lina Wertmüller, up for her study of an asshole in fascist Italy, Seven Beauties, which she also wrote. Wertmüller came from the theatre, where she met her future muse Giancarlo Giannini; they not only collaborated on Seven Beauties, but also Swept Away, The Seduction of Mimi, and Love and Anarchy. Her entry into film was be as assistant director on Fellini's 8 1/2.
Wertmüller broke through the boys' club, though it would be another 33 years before a woman actually won the damn thing. But that's not to dismiss the actual winner of the 1976 Oscar:
I mean, have you seen Rocky? It's pretty freeking great.
Spoiler alert: I love Paddy Chayefsky. I love that he was the first screenwriter to win three Academy Awards. I love that he wrote in multiple genres, in every format possible, that he was stylized yet human, serious and hilarious. The Hospital - not a fan, regrettably. But this win was well-earned!
Paddy was up against his fellow Americans and two European films - France's Cousin cousin, and Italy's Seven Beauties. A different time indeed - from 1945-1980, a 35-year period, 38 foreign language films were nominated for Best Original Screenplay! That's at least one a year, and then some. After that, though, it starts to get more scarce - a Life is Beautiful here, a Barbarian Invasions there - until A Separation becomes the most recent foreign language nominee in this category...and that was already five years ago.
(It should be noted - 2006 was an unusual year, with the multilingual Babel, the Japanese-language Letters from Iwo Jima, and the Spanish-language Pan's Labyrinth all in competition. Another outlier, considering recent history, is 2002, where Y Tu Mamá También was nominated, and Talk to Her won.)
What will the future bring? Maybe more like this year's Oscars, where foreign writers are nominated for English-language works, such as The Lobster's Greek filmmakers Yorgos Lanthimos and Efthimis Filippou. But I do hope that, eventually, we can get back to an international lineup.