Oscars 1941: Best Supporting Actor

The Supporting Acting categories began in 1936, making this the sixth ceremony to award them. This was also only the third time someone other than Walter Brennan won - in this case, Donald Crisp for How Green Was My Valley:

Two things you undoubtedly noticed. Both Crisp and presenter James Stewart are in their military uniforms - the War had finally come to the United States, and Hollywood stars were doing their part same as any American citizen (except John Wayne). The other thing: Crisp is holding a plaque with a miniature Oscar as part of it. Yes, though good enough for an award, the character actors nominated in Supporting did not initially receive Oscar statuettes, but rather this more cradleable honor. It wasn’t until two years later, at the ceremony honoring the films of 1943, that the Academy would put everyone on an equal winning field.

These were the performers competing for the plaque:

Oscar 1940: Best Supporting Actor

What makes a performance a supporting one? The answer may seem obvious - a supporting performer is not the lead - but as longtime Oscare observers know, such is not really the case. Back then the categories were specifically made to honor character actors, and while some could grow into stars, often a character actor was a character actor was a character actor. We've talked about it before with both of Edmund Gwenn's nominations and we'll talk about it again next month for 1941 for Charles Coburn in The Devil and Miss Jones. But here is a lineup where fully 3/5 could be argued as Leading Men. 

One of those was Walter Brennan, the only nominee here who'd been here before and the only one who would return. Brennan's two previous nominations resulted in wins. So did this, the first actor to win three.

It was figured this was due to the Extras Guild, who had voting power in the Academy at the time and who counted Brennan as one of their own, a man who went from extra to featured extra to bit player and on and on until...well, here he is! Anyway, they were stripped of voting privileges after this.

But Extras Guild or not, was that win deserved? Let's talk: 

1936: Supporting Actor

This is where it all started.

After 1935's Best Actor race had three nominees from the same film, and in the wake of Actors Guild protests against the ceremony, the Academy set a definite field of five for its directing, writing, and acting categories...and added two to the latter. Those two are Best Supporting Actor and Best Supporting Actress. Finally, the performers perennially below the title were finally getting their due! 

While recent years have seen the category go to either marquee names "slumming" it in character parts or lead actors campaigning as supporting to better their chances of winning (Kaluuya, Pitt, Ali, arguably Rockwell), the inaugural category is a who's who of 1930s supporting stars. Mischa Auer has twelve credits in 1936, including Oscar-nominated films That Girl from Paris, Three Smart Girls and Winterset; not all the roles have names, and some are even uncredited. Akim Tamiroff has seven credits, many of them not so much supporting as they are cameos, as in Anthony Adverse and The Story of Louis Pasteur. Stuart Erwin was a sometimes-leading man (we nominated him in Leading Actor at the 1931-32 Retro Hollmann Awards for Make Me a Star), but most of his six 1936 credits have him second- or third-billed - his nomination comes from a film where he's top-billed, but it's an ensemble flick and he's only ten minutes of it. Basil Rathbone was still three years away from Sherlock Holmes, but he appears in two Best Picture nominees (Romeo and Juliet, A Tale of Two Cities) and the Technicolor marvel The Garden of Allah.

And then there's Walter Brennan. 

Brennan had been working as an extra and stand-in since 1925. Sometimes he'd get a featured part - a line of dialogue here, a reaction shot there. He credits the growth of his parts to the fact that he was kicked in the face during one of those appearances, resulting in several lost teeth and a sudden aged appearance, being cast as old codgers at the age of 40. In 1935, he did 24 feature films, most of them uncredited, but among them is Barbary Coast, where he gives the film's best performance as Old Atrocity. It's the role that changed his career: in 1936, five of his six credits are major supporting parts, including parts in nominated films Banjo on My Knee, Fury, and These Three. Back in 1936, a committee of 50 decided the nominees, but all guild members could vote...including members of the Extras Union. It is believed their support led to Brennan's triumph as the first Best Supporting Actor winner - he was, after all, the extra who made it.

But maybe it wasn't just support from comrades-in-arms that led to that win. Maybe the performance itself is genuinely deserving. Let's discuss, shall we?: