The Best of 2009, Part One

At midnight, 2009 is officially over. Six documentaries, several sets, a film festival, 72 new films, three Supporting Actress Sundays, 189 posts. And, of course, we must make do with these traditional year-end lists.

Of the seventy-two 2009 releases I had the pleasure (and sometimes displeasure) of seeing, I have managed to actually find 26 titles that, if I used a grading scale, would deserve a B- or more. Some of my peers believe this has to do with me being, for lack of a better term, "an easy lay". I say, if you can't find that many films in a given year to be excited about, don't rain on my parade. Fuckhead.

But why discuss something so sad? Presenting, mes amis, items 25 - 11 of my Top Ten. Some of these may be at variance with the Top Ten on the sidebar, but I always said it was subject to change. You never know how you'll feel when the time comes.

25. HANNAH MONTANA: THE MOVIE and WHIP IT!

This was, interestingly enough, a tough call. Both are female-driven films with a teenage protagonist. Both are surprisingly affecting. While Hannah Montana is the fourth feature from Peter Chelsom, Whip It! is the directorial debut of the lovely Drew Barrymore. Both manage to get career-best work from their leads. Great soundtracks, too.

24. IT'S COMPLICATED

Utterly charming. I'm so sorry I haven't reviewed it yet, but consider this to be it: despite a rocky start and repetitive dialogue, the movie is a delight to be with. Meryl Streep and Steve Martin are adorable; John Krasinski and Alec Baldwin are funny, too. The costumes by Sonia Grande are beautiful. Fun and laugh-out-loud hilarious.

23. INGLOURIOUS BASTERDS
(Number Fourteen on 25 Most Anticipated)

An epic-sized rewriting of history. The ensemble here is a game one, diving fearlessly into Tarantino's pulp dialogue. Christoph Waltz will probably win an Oscar for his surprisingly charming portrayal of The Jew Hunter. Diane Kruger, thank God, managed to get a deserved SAG Nomination. And that finale is a knock-out.

22. PRECIOUS: BASED ON THE NOVEL 'PUSH' BY SAPPHIRE

Despite Lee Daniels' best efforts to make it all about him, I can't get Gabourey Sidibe's lead performance out of my head. The movie, bittersweet ending and all, is hopeful. And despite the depressing surroundings, it manages to be a funny one, too. I'm glad the rest of the world caught up with me in their adoration of Mo'Nique. I knew she had it in her.

21. ZOMBIELAND

It's a zombie flick, a road movie, and a family film all in one. I haven't seen The Messenger, but I do wish Woody Harrelson was getting Oscar buzz for this movie. His Tallahassee is a memorable one. Despite how meta it is, the cameo is hilarious. Just when you thought nothing could match Shaun of the Dead...

20. STAR TREK

A talented (and very attractive) cast. A ludicrously awesome story. A rousing score. And flares, flares, flares. It's pure popcorn, and it revels in it. Have I ever waited for a non-Batman sequel this eagerly?

19. THE HANGOVER

I don't think I have ever laughed as heartily in a movie theater. Ever.

18. WATCHMEN
(Number Four on 25 Most Anticipated)

Zack Snyder was courageous in his vision, almost slavishly faithful to the source, yet willing to "mend" some elements here and there. Even if it's mostly a collection of montages, at least they are beautiful ones: the opening credits, the origin of Dr. Manhattan, the sex scene. Jeffrey Dean Morgan and Jackie Earle Haley are so cool.

17. THE INFORMANT!
(Number Seventeen on 25 Most Anticipated)

Matt Damon is excellent. Steven Soderbergh's choices are odd and genius. A true-life thriller becomes a wacky comedy, a 90s setting is given a 70s vibe. Add Marvin Hamlisch's score and you've got a funny yet thoughtful look at one of the strangest cases of corporate greed to make it to press. Also, Scott Effing Bakula.

16. BREAKING UPWARDS

Though only released in New York City, I got to see this at the Tallahassee Film Festival. A couple, played by co-writer Zoe Lister-Jones and co-writer/director Daryl Wein, strategize their own break-up, based on the real-life relationship between the filmmakers. Andrea Martin and Julie White play their mothers; some of the best supporting actressing this year.

15. AN EDUCATION

A career-making performance from Carey Mulligan centers a solid, relatable film. Great performances from the whole cast, though Rosamund Pike and Cara Seymour are true stand-outs. Lovely costumes, too. Mulligan could be the new Hepburn.

14. WHERE THE WILD THINGS ARE
(Number Four on 25 Most Anticipated)

The more I think on this, the more I love it. I love watching a movie and seeing myself in it. Anyone who remembers their childhood is sure to relate to this movie. It's magical in its ability to bring to life those feelings of freedom and insecurity. Great voicework by James Gandolfini, Chris Cooper and Catherine O'Hara.

13. NINE
(Number Two on 25 Most Anticipated)

Such a flawed movie. Yet I am in love with it. So. Much. Oh, Sophia Loren, please say you're back for good.

12. MOON

Sam Rockwell carried an entire film by himself. Not only did he play multiple roles...he played multiple aspects of one man. And brilliantly at that. Clint Mansell's simple score is haunting. It's unbelievable what Duncan Jones does with his budget. Dig it.

11. IN THE LOOP

I don't think I have ever as heartily in the comfort of my own home. Ever. Fuckity-bye-bye, then.

Check out the Top Ten later on. And remember, I've still a long way to go before I see all the 2009 releases: New York, I Love You, Sherlock Holmes, Notorious, Duplicity, Monsters vs. Aliens, My Bloody Valentine, A Single Man, etc.

Disappointment/Delight

As October waned, I made the effort to see some 2009 releases when not working on other people's films. And I did it! But first, some news:

Because of my actual Film School activities and some last minute rigmarole concerning ticketing, I was unable to attend the Ian McKellen thing. That will teach me to brag prematurely. The absolute worse part? I overheard this conversation at Borders two days later:

MAN: I saw Ian McKellen speak the other day at the theatre school.
WOMAN: Who?
MAN: You know, the guy from Harry Potter?
WOMAN: Oh, yeah...
MAN: Yeah, he was interesting. He sure could talk, though. After two hours, I was like, "Come on, already."

You, sir, did not deserve to see Ian McKellen, and not just because you think he's Michael Gambon. You got tired of watching him speak. You can take whatever Armistead Maupin book you picked out and shove it up your ass, for while you may be able to read, you are certainly illiterate in the realm of theatre and all that is holy. Shithead.

And now the reviews:

17 AGAIN

So, Matthew Perry's life is going down the tubes, and Brian Doyle Murray magics him into his younger self, who happens to be Zac Efron. Now he gets to help his kids...in HIGH SCHOOL. I remember laughing out loud and finding it perfectly charming. Yet I cannot really remember the movie itself. Zefron and Perry do a surprisingly good job of playing different ages of the same man, so that was neat. Zefron got Perry's mannerisms down to a T. And I liked the romance between Zefron and Leslie Mann -- that they sold it as uncreepily as they did says a lot about their abilities as actors. Other than that, and an odd date scene between Lt. Dangle and Jan Levinson-Gould...meh.


SAW VI

Holy crap, is this really the first movie I saw in theaters since Jennifer's Body? A good way to end October, surely. It's probably the smartest in the series since Saw II (which I love), and even gets to be relevant by taking on the Vice President of a Health Insurance Company! The challenges in this game are actually pretty suspenseful, and I cared a LOT about what happened to the characters this time around. It was nice to finally care again. The editing was also a lot less ADD this time around. Great fun, if you're into it. But if you don't like Saw to begin with, you won't see this anyway. That's OK, but you'll be missing some great entertainment.


A SERIOUS MAN



Some movies get better and better upon reflection. This is one of those. True, I only just saw it Sunday night, but even now, I'm thinking it's probably one of the best movies of the year. It's basic plot: Larry Gopnik (Michael Stuhlbarg) goes through a week of crises in a mostly Jewish community in 1967 Minnesota. You would think a movie that basically tells you God doesn't care and religion won't help would be a downer. Ok, it is in a way, but it is uproariously funny at the same time. The Coen Brothers may have won their Oscar in 2007, but this film is their true masterpiece. Stuhlbarg's performance should be generating more discussion, but for me, it was all about Fred Melamed as Sy Ableman, a pompous intellectual whose eloquent phraseology is hilarious in its pretentiousness. A gem of a comedy -- but DARK.


WHERE THE WILD THINGS ARE

Despite the pacing issues -- the middle portion is QUITE padded -- I really enjoyed Where the Wild Things Are. I wasn't ready to be hurled into the darker, more complicated second half of the film, but I liked that it took me there. There's some real genius in the expansion of Maurice Sendak's universe, as written by Spike Jonze (also director) and Dave Eggers (who co-wrote the disappointing Away We Go earlier this year). Some deep, disturbing shit goes down in this movie, and it hits hard. Catherine Keener's teeny tiny role as the mom is great (as always), but let us not forget the Wild Things. Although they are not in the costumes, James Gandolfini, Catherine O'Hara, Chris Cooper, etc., bring a lot to their table in their performances. And of course, Max Records, playing Max (appropriately enough), is just as talented as he is adorable. Can't wait for this kid to get more work.

Ack, but that Karen O score! Distracting, cacophonous, irritating! Yes, yes, it is appropriately "wild", but it was not my cuppa, thank you very much. Such a shame; "Maps" is my second favorite song of all of ever.

[Pic from AwardsDaily]