We wrap up the 1935 retrospective this week with the 1935 Retro Hollmann Awards. You've seen the full slate of nominees, you know the Top Ten - now on with the awards!
Well, six of them, at least. Back in 1935, the Academy Awards were not yet ten years old, they had a lot of growing to do. It would be another year before they added supporting categories, another four before a competitive special effects category, another 13 before Best Costume Design, another 46 before Best Makeup...and Best Ensemble still does not exist, though the Screen Actors Guild has awarded it since 1995. The Hollmann Awards, even the retro ones, honor all categories, but to respect the tradition and the time period, these six categories get their own post. And it's this one!
The Academy offered a Top Twelve, and while I toyed with doing so as well, I found that I was having a harder time deciding #11 and #12 than I did #'s 1-10. So let us keep it simple, keep it to a Top Ten, and apologize to the titles I considered for those extra two spots: Call of the Wild, The Crusades, The Devil is a Woman, Gold Diggers of 1935, The Last Days of Pompeii, and Les Misérables.
Mutiny on the Bounty was the biggest hit at the box office. It had the most nominations going into the 8th Academy Awards. It should be no surprise that it won - certainly when you see its name under a list of Best Picture titles, you go, "Well, of course, that sounds correct." And yet it came close to not winning - indeed, The Informer seemed to be the favorite that night, despite not being as big a hit. A sigh of relief, I'm sure, when they eventually won the Big Prize:
It was the last time a film would win Best Picture and nothing else.
Twelve films were nominated that year, and so I've decided to do something different from my usual summary-star rating-big reveal at end. I'm gonna rank 'em. Before I do, let's meet the twelve nominees:
Alice Adams - A working-class girl is thwarted and embarrassed in her attempts to move up socially by her gauche family and unstable father. Also nominated for Best Actress.
Broadway Melody of 1936 - Young producer stages a new Broadway show, but the leading role is desired by both his high school sweetheart and his financier; meanwhile, a gossip columnist tries to knock him down. Won Best Dance Direction, also nominated for Best Original Story.
Captain Blood - After treating a rebel against King James II, an Irish doctor is exiled as a slave to Jamaica where he captures a Spanish galleon and becomes the most feared pirate in the Caribbean. Also nominated for Best Sound Recording; a write-in candidate for Best Director, Best Screenplay, and Best Score.
David Copperfield - A gentle orphan discovers life and love. Also nominated for Best Film Editing (Robert Kern) and Best Assistant Director (Joseph M. Newman).
The Informer - An Irish rebel informs on his friend, then feels doom closing in. Won Best Director, Best Actor, Best Screenplay, and Best Score, also nominated for Best Film Editing (George Hively).
The Lives of a Bengal Lancer - Three British soldiers on the Northwest Frontier of India struggle against the enemy - and themselves. Won Best Assistant Director (Clem Beauchamp / Paul Wing), also nominated for Best Director, Best Screenplay, Best Art Direction (Hans Dreier/Roland Anderson), Best Film Editing (Ellsworth Hoagland), and Best Sound Recording.
A Midsummer Night's Dream - Two couples and a troupe of actors encounter mischievous fairies in the woods. Won Best Cinematography (Hal Mohr, as a write-in) and Best Film Editing (Ralph Dawson), also nominated for Best Assistant Director (Sherry Shourds).
Les Misérables - An ex-convict who failed to report for parole is hounded for decades by a relentless policeman. Also nominated for Best Cinematography (Gregg Toland), Best Film Editing (Barbara McLean), and Best Assistant Director (Erin Stacey).
Mutiny on the Bounty - First mate Fletcher Christian leads a revolt against his sadistic commander, Captain William Bligh. Won Best Picture, also nominated for Best Director, Best Actor (thrice), Best Screenplay, Best Score, and Best Film Editing (Margaret Booth).
Naughty Marietta - Escaping a prearranged marriage, a French princess sheds her identity and escapes to colonial New Orleans, where she finds unexpected love. Won Best Sound Recording.
Ruggles of Red Gap - An English valet brought to the American west assimilates into American life.
Top Hat - An American dancer romances a model who mistakes him for her best friend's husband. Also nominated for Best Original Song, Best Art Direction, and Best Dance Direction.
The New York Critics gave their Best Actress award to Greta Garbo for Anna Karenina. She was not nominated at the Academy Awards (which I think is fine, she's weirdly too self-consciously Garbo in that film), something which surely surprised everyone once they realized a number of ties in the voting process led to six official nominees. No write-ins received enough votes to be mentioned. All there were to mention were these six:
