Further Thoughts: 1969 in Review(s)

Further thoughts on some of the 1969 films discussed earlier this week.

Alice's Restaurant

dir: Arthur Penn

pr: Hillard Elkins / Joseph Manduke

scr: Venable Herndon and Arthur Penn, from the song by Arlo Guthrie

cin: Michael Nebbia

Overall an admirable, if cautious and somewhat skeptical, attempt to humanize and sympathize with a misunderstood movement, balancing clear-eyed observations about using "freedom" and "protest" to excuse shirking your own responsibilities with criticism of the establishment's adherence to form and appearance. If only Penn could consistently pay off on the characters he introduces, or handle the tonal whiplash between the comedy of the song and the drama of his and Herndon's additions. Guthrie proves a surprisingly compelling presence on screen.

Sex, class, change, and more, after the jump..

Day Four: Best Director, 1969

Fifty years ago, when Best Picture was still only five-wide, it was common to see a marked difference between that category and the Best Director lineup - 1969, for instance, is only three-for-five. While it's rarer nowadays, it occasionally happens - just this past year, Pawel Pawlikowski was nominated for Cold War, which did not get a Best Picture citation. Rarer still than the Lone Director Nominee is the Best Director Orphan, in which the nominated helmer is the sole representative of their film. This was more common in the early days of the Oscars, but has since, become the kind of phenomenon trivia buffs love to bring up - David Lynch has been the Director Orphan twice (Blue Velvet, Mulholland Dr.), Martin Scorsese once....

But I think only Arthur Penn can boast of not just being a Best Director Orphan, but of being the only person nominated for a film based on a song. Alice's Restaurant is based on the Arlo Guthrie song-story of the same name, and if you've ever listened to the radio on Thanksgiving Day, chances are you've heard it. I believe one station - can't remember if it was my own South Florida or another or many - even played the song on repeat, non-stop, until they hit a particular number in their pledge drive. Annually.

So yes, that's an Oscar-nominated story! Did Penn do it justice? A look at his work and his fellow nominees, after the jump...