Showing posts with label Chocolat. Show all posts
Showing posts with label Chocolat. Show all posts

Friday, September 19, 2025

Up for Grabs?: Best Picture, 2000

When Awards Season began, everyone said the race was wide open. The Los Angeles Film Critics chose Crouching Tiger, Hidden Dragon as Best Film, the New York Film Critics Circle chose Traffic as Best Film, the National Board of Review named Quills the Best Film of 2000, and the Golden Globes gave Almost Famous its award for Best Picture - Musical/Comedy. As always, the race narrowed as the year continued. Gladiator won the BAFTA for Best Film, the Golden Globe for Best Picture - Drama, and the PGA Award for Outstanding Producers of Theatrical Motion Pictures.

The final group of nominees came down to: Chocolat, Crouching Tiger, Hidden Dragon, Erin Brockovich, Gladiator, and Traffic. And the film that kept winning, did so again:



As I fully reviewed all the other films of the year in order of their release, I shall do the same here, before ranking them:

Tuesday, September 16, 2025

The Sure Thing: Best Actress, 2000

If you were betting in your Oscars pool in 2000 and picked anyone but Julia Roberts to win Best Actress, you'd look like quite the dummy. No win in any category this year was as certain as hers.

There was only one major awards body that made no mention of Roberts: the New York Film Critics Circle. Eventual nominee Laura Linney won Best Actress for You Can Count on Me, with The House of Mirth's Gillian Anderson and Dancer in the Dark's Björk as runner-ups, and eventual Best Actress Oscar nominee Ellen Burstyn among the runner-ups for Supporting Actress for Requiem for a Dream. Otherwise, Roberts ran through awards season like General Sherman: the BAFTAs, the Golden Globes, the SAG Awards, the LA Film Critics, the National Board of Review, the Critics Choice Awards, the Blockbuster Entertainment Awards, the MTV Movie Awards, the Teen Choice Awards, and on and on and on until the night of the Oscars:



Had I a ballot, here's how I would rank them:

Thursday, September 11, 2025

Good Music...Mostly: Score and Song, 2000

Best Original Music Score, or whatever the full name is, is always a tough one to judge. To me, it's the score that best complements a film, that does not overwhelm. I have often heard people scoffingly say of some nominated scores, "I don't even remember any themes!" which I don't think is necessarily unfair, but it is a narrow view of the how and why of the score. There are scores that I would never listen to on their own that I have nevertheless included in my own Hollmann Awards because, in context, they transform or even clarify a film's tone, theme, or meaning - I'm thinking specifically of how James Newton Howard's Nightcrawler gets us into Jake Gyllenhaal's warped mindset, or even how Son Lux's Everything Everywhere All At Once is unhummable, sure, but the movie would not work nearly as well without it. 

So this is how I approach this category, and I imagine, so do many of the Academy's voters. And that, finally, is how they came to pass up Björk's Dancer in the Dark and Maurice Jarre's Sunshine in favor of Rachel Portman's Chocolat (the only female composer to be nominated in Original Score more than once), Tan Dun's Crouching Tiger, Hidden Dragon (the sole first-time nominee...also the sole only-time nominee), Hans Zimmer's Gladiator (though other groups also acknowledged "wailing woman" vocalist and co-composer Lisa Gerrard, the Academy gave sole credit to Zimmer), Ennio Morricone's Malèna (this same year, he received the National Board of Review's Career Achievement Award), and John Williams' The Patriot (even if the score was seventeen cats fighting on untuned pianos, Williams would have been here: in 33 years, 34 of his scores were nominated). Of these composers, only Tan and Morricone never won before...and Morricone would have to wait another decade-plus for his chance:



None of these are bad, all of them greatly boost their films, but - if I had a ballot, here's how I'd rank them:

Tuesday, September 9, 2025

Almost Kate's: Best Supporting Actress, 2000

Roger Ebert said that "everybody from the Vegas oddsmakers to the espresso jockey at Starbucks can tell you that Gladiator, Russell Crowe, Julia Roberts, Albert Finney, and Kate Hudson are at the head of the pack." While he went against that "common wisdom" in some of his final predictions, he held to the impression that "the overwhelming favorite is Kate Hudson." It is a common refrain you read when researching this year: Hudson is the heart of Almost Famous, she glows, she's charming, she's Goldie Hawn's daughter, and wouldn't it be neat if they both won in the same category 31 years apart? 


She was one of four names that kept showing up everywhere: her Almost Famous co-star, who won prizes for both that film and her turn in Wonder Boys; Judi Dench, thought to be the benificiary of Miramax's Chocolat campaign, making it the third of five consecutive Weinstein-backed nominations for the Dame; and Julie Walters, whose chain-smoking ballet mistress in Billy Elliot was an audience favorite. All were nominated alongside Hudson. None were thought to stand a chance, even though, while she was also nominated at the Screen Actors Guild Awards and for Best Lead Actress at the British Academy Awards, the only major "precursor" she won was the Golden Globes. 

But hey, influence and bellwethers change over the years - remember, it used to be "common wisdom" to go with the New York Critics' pick...though that did turn out to be true this year. Alongside the aforementioned quartet was Pollock's Marcia Gay Harden, a name and performance little bandied about after her NYFCC win at the beginning of December. Her "fifth slot" was up for grabs among a number of contenders: Crouching Tiger, Hidden Dragon's Zhang Ziyi (BAFTA nominee, Indie Spirits winner, LAFCA runner-up), Traffic's Catherine Zeta-Jones (Golden Globe nominee), Quills' Kate Winslet (SAG nominee), maybe even longer shots like Small Time Crooks' Elaine May (winner at the National Society of Film Critics, I'm guessing because they had little opportunity to award her over the years) or Chuck & Buck's Lupe Ontiveros (National Board of Review winner!, Indie Spirits nominee). But the fifth spot was Harden's, with many assuming the nomination was the award for putting in great work in a little-seen film. What a twist - what a thrill:



Had I a ballot, this is how I'd rank them:

Wednesday, September 3, 2025

The End of the Election: December 2000

December 2000, marked the end of Election Day in the United States.


Most election years, it gets done, more or less, on the first Tuesday of November; by dawn, we know who the next President of the United States is. The 2000 race between Vice President Al Gore and Texas Governor George W. Bush was a special one. An especially close one, one whose results are still discussed and debated to this day. They even made an HBO Film out of it, actually shot in Tallahassee, the state capital of Florida, where the main controversy was centered.

Many of my friends and teachers - then and now - were true blue Democrats. My family was and is mostly Republican. What I remember from then is this: the news pundits at the time erroneously called Florida for Gore before all ballots were in, then had to call it for Bush, then had to admit it was too close to call; Gore conceded to Bush personally, then retracted it; initial recounts narrowed the margin but still in Bush's favor. I also remember the photos of volunteers closely scrutinizing a ballot to differentiate a Legitimate vote from dimples or hanging Chads. You have to remember, too, though: I was eleven years old, whatever news I was getting was filtered through the biases of those around me...and by sketch comedy shows. Each side accused the other of conspiring to "steal" the election, which we would later see echoed in the 2016 and 2020 elections. Recounts were demanded county by county, including my own Broward and neighboring Miami-Dade, both pretty heavy on Democrats. There was the Brook Brothers riot, where well-tailored Republicans got nasty in a campaign of harassment against independent vote counters in Miami-Dade (I remember that, too, and how suspiciously those vote counters were greeted - one of the three wasn't independent at all but a Democrat). Finally, the US Supreme Court made its historic decision in Bush's favor on December 12, 2000, a decision which people still scrutinize and object to.

It was a circus. It was thought the 2000 Presidential Election might help us to move on from the Monica Lewinsky scandal and impeachment proceedings - certainly that was why President Clinton was kept at a distance from the Gore campaign. And yeah, I guess in one sense we did move on, but just from one scandal to the next. People said they were sick of the story, but they kept tuning in, and the news cycle kept pumping us with every detail, some vague and contradictory, making things seem more or less sinister than they might actually have been. Politics became sports: we weren't electing leaders or representatives, but supporting our team! News became entertainment, not uncovering the truth but presenting a new twist to the tale, tune in, buy now! Where's our sense of reality? Where's our sense of shame? Where's our sense?

When national news made us sick, tired, and depressed, here's what the multiplex could offer: