Showing posts with label Martin Balsam. Show all posts
Showing posts with label Martin Balsam. Show all posts

Monday, November 6, 2017

There Is Murder In Your Eyes: Murder on the Orient Express, 1974

Murder on the Orient Express is in theaters this Friday, undoubtedly my most anticipated film event of the year. Based on the novel by Agatha Christie, the world-famous whodunnit has Hercule Poirot traveling on the Orient Express when the train becomes snowbound...and murder strikes. The solution is simultaneously shocking and one of the most famous in literature. The mystery is glamorous, with Poirot interviewing thirteen suspects from around the world, from butlers and car salesmen to diplomats and royalty. It's the quintessential Christery.

Small wonder, then, that it has inspired filmmakers time and again over the years. Including the new film, starring and directed by Kenneth Branagh, there are five adaptations of Murder on the Orient Express. We're taking a look at each one every day this week, and what better place to start than at the beginning? Let's go back 43 years, so we can check out...

Murder on the Orient Express (1974)
dir: Sidney Lumet

Sunday, September 13, 2015

Cinema '65: The Brother and the Revolutionary


Sometimes the nominees for Best Supporting Actor are honest to God character actors in supporting roles, instead of character actors in leading roles (J.K. Simmons in Whiplash), or A-Listers "slumming" it in character roles (Bradley Cooper in American Hustle). The year 1965 is almost there, but Oscar will be Oscar, and so...

I always do a DDL Test with supporting actor nominees -- if Daniel Day-Lewis played it, would it still be supporting? In the case of Frank Finlay as Iago in Othello, I think not; otherwise, though, most definitely. And he'd probably win each time, too.

Everyone here was on their first nomination -- though at the time, Martin Balsam felt his nomination was also due to his being "snubbed" for Breakfast at Tiffany's. Maybe he was right -- certainly enough goodwill and excitement had built up around him, and he walked away with the Oscar.

He's better with a mustache, I think
As for the others -- Michael Dunn becomes the first Little Person (I believe) nominated for an Oscar, Ian Bannen's double duty in The Flight of the Phoenix and The Hill nets him a nod for the former, Tom Courtenay lands the first of two career nominations so far (perhaps 45 Years will change things?), and Frank Finlay is nominated, too.

After the jump.