Monday, March 8, 2010

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The 2009 Hollmann Award in 2010!!!

I'm afraid I've been having a number of technical difficulties with the Hollmann Awards this year. I usually have them out before the Oscars, but between Internet problems, saving issues, and a Microsoft Word plagued by an odd virus, I'm going to have to do this a la 2007 Golden Globes - that is, just a list of nominees and winners. We'll let Judi and Maggie host next year, and hopefully I can get more of a jump on things then. My apologies to everyone.

BEST ENSEMBLE, awarded to the casting director(s)
5. Ellen Chenoweth and Rachel Tenner, A Serious Man
4. Celestia Fox, Easy Virtue
3. Justine Baddeley and Kim Davis, Whip It!
2. Sarah Crowe and Meredith Tucker, In the Loop

1. Simone Bar, Olivier Carbone, Jenny Jue and Johanna Ray, Inglourious Basterds
Bar is a German casting director whose other credits include The Reader and The White Ribbon. Olivier Carbone is a French casting director who also worked on La Vie en Rose.
Jenny Jue and Johanna Ray have worked together on the Funny Games remake, Repo! The Genetic Opera and Brian De Palma's The Black Dahlia.

BEST SOUND, awarded to whatever senior sound mixers and editors I managed to find
5. Craig Berkey, Johnna Chism and Greg Orloff, A Serious Man
4. Joseph Geisinger, Marti D. Humphrey, Chris M. Jacobson, Ryan Juggler, Paul N.J. Ottosson, Carin Rogers and Jussi Tegelman, Drag Me to Hell
3. Anna Behlmer, Peter J. Devlin, Andy Nelson, Alan Rankin and Mark Stoeckinger, Star Trek
2. Tony Lamberti, Michael Minkler, Mark Ulano and Wylie Stateman, Inglourious Basterds
1. Kristian Eidnes Andersen, Antichrist
I think the sound work in the film is incredible, and though more mixing was involved than editing, the overall effect is the same. Less really is more.

5. John DJ DesJardin, Jessica Norman, Peter G. Travers and Joel Whist, Watchmen
4. Matt Aitken, Robert Habros, Dan Kaufman and Peter Muyzers, District 9
3. Peter Brooke, Michael Eames, Sonny Gerasinowicz, Daniel Jeannette and Peter Stubbs, Where the Wild Things Are
2. Volker Engel, Mike Vezina and Marc Weigert, 2012

Richard Baneham, Joe Letteri, Andrew R. Jones and Stephen Rosenbaum, Avatar
But really, who else?

BEST...I DON'T KNOW, PRACTICAL VISUALS? This is awarded to the production designer, art director and, where credited, set decorator.
5. Dan Bishop (PD), Ian Phillips (AD) and Amy Wells (SD), A Single Man
4. Tony Noble (PD) and Hideki Arichi (AD), Moon
3. Nelson Lowry (PD) and Francesca Maxwell (AD), Fantastic Mr. Fox
2. Henry Selick (PD), Phil Brotherton (AD), Bo Henry (AD) and Tom Proost (AD), Coraline

1. Nathan Crowley (PD), Patrick Lumb (AD), William Ladd Skinner (AD) and Rosemary Brandenburg (SD), Public Enemies
Echoing the art deco style of the period, Crowley and crew got every detail, down to the little price tags on the shops. When they needed to trade in shine for dust, it was perfect.

5. Thomas Foldberg and Morten Jacobsen, Antichrist
4. Sarah Monzani, The Imaginarium of Doctor Parnassus
3. Nick Dudman and Amanda Knight, Harry Potter and the Half-Blood Prince
2. Barney Burman, Mindy Hall and Joel Harlow, Star Trek

1. Joe Dunckley, David Meng, Frances Richardson, Sarah Rubano, Richard Taylor and Leon Von Solms, District 9
Taking body horror to a new level, we got to see Weekus transform in the most grotesquely realistic manner. From nails falling out to a prawn claw replacing his hand, the effect was astounding.

5. Charlotte Walter, Easy Virtue
4. Hope Hanafin, (500) Days of Summer
3. Anna B. Sheppard, Inglourious Basterds
2. Janet Patterson, Bright Star

1. Colleen Atwood, Public Enemies
What a gorgeous fucking film. This is really the only movie where you actually notice the duds on the men...ok, the first for me, anyway. I would seriously wear anything there. And the women? Gorgeous. Don't you love the ropey look of Marion's poor red dress, compared to the fur finery of when she's dating Dillinger? Such exquisite detail.

5. Back to Tennessee, Hannah Montana: The Movie
4. Dig a Little Deeper, The Princess and the Frog
3. Never Knew I Needed, The Princess and the Frog
2. Possibility, The Twilight Saga: New Moon

1. Through the Trees, Jennifer's Body
Works as both a genuinely great "boo-hoo" song, and as a satire on such music. How does it do it?

5. Alexandre Desplat, Fantastic Mr. Fox
4. Elliot Goldenthal, Public Enemies
3. Alexandre Desplat, The Twilight Saga: New Moon
2. Alexandre Desplat, Julie & Julia
1. Abel Korzeniowski, A Single Man
I admit, I like my music big. Abel, I hope you don't mind if I say the music here reminded me of Philip Glass's work in The Hours, which I find to be the greatest score ever. The beauty of it is just so...unbelievable. Korzeniowski effortlessly evokes the 1960s. Highlights include "Swimming", "Snow" and "Drowning".

5. Roderick Jaynes, A Serious Man
4. Sally Menke, Inglourious Basterds
3. Alan Edward Bell, (500) Days of Summer
2. James Cameron, John Refoua and Stephen Rifkin, Avatar
1. Alexander Hall, The Messenger
You know, too few of these awards are given to editors of films that rely on long takes. But really, the editor cuts for dramatic emphasis, unless he needs to cut around the bullshit. So, why cut all around the place if all you need to make your point is a single long take? That's what makes sense for this movie.

5. Robert Richardson, Inglourious Basterds
4. Greig Fraser, Bright Star
3. Eduard Grau, A Single Man
2. Anthony Dod Mantle, Antichrist
1. Dion Beebe, Nine
The only truly cinematic aspect of the film. The use of the projector in "I Can't Make This Movie", the spotlights in "My Husband Makes Movies", the dreamy effect of "Guarda la Luna", the black-and-white "Take It All". All brilliant.

5. Nora Ephron, Julie & Julia
4. Jason Reitman and Sheldon Turner, Up in the Air
3. Geoffrey Fletcher, Precious: Based on the Novel 'Push' by Sapphire
2. Dave Eggers and Spike Jonze, Where the Wild Things Are
1. Wes Anderson and Noah Baumbach, Fantastic Mr. Fox
It's clever and it's funny. Little nuances, like Mrs. Fox's "tarty" background, truly develop the characters, instead of merely serving as a throwaway joke.

5. Jane Campion, Bright Star
4. Scott Neustatder and Michael H. Weber, (500) Days of Summer
3. Quentin Tarantino, Inglourious Basterds
2. James Cameron, Avatar
1. Ethan Coen and Joel Coen, A Serious Man
Probably my favorite Coen Brothers movie.

5. Stanley Tucci, Julie & Julia
4. Fred Melamed, A Serious Man
3. Colin Firth, Easy Virtue
2. Woody Harrelson, The Messenger

1. Peter Capaldi, In the Loop
I mean, this scene alone. That snap as he says, "Now fuck off." Has swearing ever seemed this natural?

5. Ben Foster, The Messenger
4. Joseph Gordon-Levitt, (500) Days of Summer
3. Colin Firth, A Single Man
2. Johnny Depp, Public Enemies

1. Sam Rockwell, Moon
A one-man show that it is impressive in it understatedness.

5. Zoe Saldana, Avatar
4. Carey Mulligan, An Education
3. Abbie Cornish, Bright Star
2. Meryl Streep, Julie & Julia

1. Gabourey Sidibe, Precious: Based on the Novel 'Push' by Sapphire
Such a raw performance. That a first-timer can give this kind of performance is staggering.

5. Marion Cotillard, Public Enemies
4. Julianne Moore, A Single Man
3. Kristin Scott Thomas, Easy Virtue
2. Samantha Morton, The Messenger

1. Mo'Nique, Precious: Based on the Novel 'Push' by Sapphire
An unbelievable performance from the great comedienne. Just try to wrap your head around this.

5. Jane Campion, Bright Star
4. Marc Webb, (500) Days of Summer
3. Michael Mann, Public Enemies
2. James Cameron, Avatar
1. Oren Moverman, The Messenger

5. (500) Days of Summer - Mason Novick/Jessica Tuchinsky/Mark Waters/Steven J. Wolfe
4. Fantastic Mr. Fox - Allison Abbate/Wes Anderson/Jeremy Dawson/Scott Rudin
3. Public Enemies - Michael Mann/Kevin Misher
2. Avatar - James Cameron/Jon Landau
1. The Messenger - Mark Gordon/Lawrence Inglee/Zach Miller
A strong debut from a first-timer.

[UPDATED: Producers nominated for Best Picture, as of 1/13/2017]

1 comment:

Andrew K. said...

I am happy to see The Messenger as #1. Good choices all. I'm so glad you gave Nine the cinematography nod. People are even doubting that, and love or hate it was beautifully shot.