And by it, I mean, of course, our look back at the Oscars of 1947!
In my first post about this cinematic year, I set the scene a little bit regarding post-war Hollywood, what movies were focused on, and how a newly-emerging Blacklist would affect the industry for the next decade and change. The class most impacted were the writers, who were seen by the government as the brains behind "subversive" messaging in films...despite long being considered by their peers the low rung on the ladder.
That said, the category of today's focus, Best Original Screenplay, does showcase works whose themes warn against the dangers of capitalism, greed, and institutional decay, two of which were penned by alleged Communists: Charlie Chaplin, a British citizen, had his passport revoked, while Abraham Polonsky was blacklisted. Their films, Monsieur Verdoux and Body and Soul respectively, didn't win; nor did the Italian juvenile prison drama Shoeshine. Instead, the Academy bestowed their prestigious Oscar upon...The Bachelor and the Bobby-Soxer:
I know usually, I include a clip of the actual ceremony, but in 1947 we were still five years away from the first Oscars broadcast on TV. Actually, a lot was still different in this era. For instance, there were three categories for writing: Original Screenplay, which honored original works conceived of and written by the same source; Motion Picture Story, which honored original concepts/treatments by someone who not credited as screenwriter; and Screenplay, which honored works based on original motion picture stories or pre-existing properties.
Today, we focus on Original Screenplay. After the jump...
