Dig Them Threads -- and That Sound: 2015 Hollmann Awards, Day Two

It's Day Two of the Hollmann Awards! Yesterday, we saw Mad Max: Fury Road go home with two awards, with Best Picture nominees Tangerine and Spotlight also making their mommas proud. Today: Best Director, Best Actor, and more...starting with Best Ensemble.

(By the way -- if anyone knows the names of the casting director/sound department/makeup department of the Korean films The Beauty Inside/Northern Limit Line/The Throne, do drop me a line so that I may give the credit where it's due)

BEST ENSEMBLE

5. Straight Outta Compton

Victoria Thomas/Cindy Tolan
A great mix of knowns, unknowns, and familiar faces, anchored by the lead trio -- O'Shea Jackson, Jr., Corey Hawkins, Jason Mitchell. In choosing between acting ability or biographical resemblance, the filmmakers score a coup with an ensemble that can be both. And bless Paul Giamatti, who fits right in.

4. Tangerine

Sean Baker/Chris Bergoch
First of all, the chemistry between Kiki Rodriguez and Mya Taylor is perfection, the kind of comic sparring that made iconic films out of It Happened One Night, or anything with Abbott and Costello. But they're joined by a game supporting cast, starting with Mickey O'Hagan as Kiki's "real fish" rival, all the way down to Clu Gulager's cameo as a taxi passenger.

3. The Beauty Inside

Give it props for casting 123 different people and pulling off the conceit that they are, indeed, all one person. Everyone has electric chemistry with Han Hyo-ju, one of the most natural actresses you've ever seen in a fantasy-romance. And a special shout-out to Shin Dong-mi, hilarious as Han's boss.

2. Brooklyn

Fiona Weir
The mark of a great ensemble: you can easily imagine each of these characters living lives outside the movie. Whether it's the girls of the boarding house, Jessica Paré's department store floor manager, or the Irish gossip back home.

1. Spotlight

Kerry Barden/Paul Schnee
A generous ensemble -- like true journalists, the A-List actor -- Ruffalo, McAdams, Keaton -- cede entire scenes over to the character actors making up the witnesses, victims, priests, cops, officials. But it is all about the newsmen (and women) at the center, working as a team...a true ensemble.

Best Costume Design and more, after the jump....

The Men of Spotlight, the Look of Mad Max: 2015 Hollmann Awards, Day One

Here we are! It's February 2016, but we're officially starting the Hollmann Awards of 2015! For the next three days, I'll give you my picks for the best of the year in eighteen different categories.

Today: Makeup, Supporting Actor, Visual Effects, Original Song, Cinematography, and Editing!

BEST MAKEUP/HAIRSTYLING

5. Carol
Jerry DeCarlo, hair department head
Patricia Regan, makeup department head

 Therese's makeup tutorial. Carol's blonde locks and sophisticated lips. Abby's whole thing.

4. The Throne



Prince Sado's progressively sallow skin, sunken eyes, and cracked lips as he slowly starves to death. The wizened white slowly taking over King Jeongjo's beard and hair. The careful hairstyles of the ladies of the court.

3. What We Do in the Shadows
Don Brooker, special makeup effects/prosthetics designer
Roger Murray, makeup effects designer
Dannelle Satherley, hair designer



The vampire ball.  The lifeless complexions, spattered with blood. The varying hairstyles and facial hair denoting the location and era of a vampire's "turn." And then there's Petyr.

2. The Revenant
Graham Johnston, makeup department head
Sian Grigg/Duncan Jarman, key makeup and prosthetics for Leonardo DiCaprio
Audrey Doyle, key makeup and prosthetics for Tom Hardy
Adrien Morot, special effects makeup department head
Robert Pandini, hair department head
Kathryn L. Blondell, hair stylist for Leonardo DiCaprio



Hugh's gaping wounds following a bear attack. Fitzgerald's surviving patch from a past scalping attempt. The matted, bloody, snotty, icy beards and untamed hair of the pioneers.

1. Mad Max: Fury Road
Lesley Vanderwalt, makeup/hair designer
Damian Martin, prosthetics supervisor
Elka Wardega, senior prosthetics make artist

Immortan Joe's diseased self and flowing locks. Max's parched lips and sunburnt face. Furiosa's war-like patch of black. The scarred, pale, skeleton-like War Boys. The sand blown features of the Vuvalini.

Best Supporting Actor and more after the jump!

Predicting Tomorrow's Oscar Noms!

Ok, folks. I know I've been unusually mum about this Awards Season (with the exception of a theory that I'm about to place a lot of faith in). But it's to talk the Oscar Nominations. They are tomorrow. That is exciting. It's time to predict things.

I'm not in rooms with industry members who are "buzzing." I've been following the guilds and the Globes, but most of us seem to agree there's a general mix of consensus and confusion. Here, then, is how I think it could go down.

I have no clue with Foreign Film, Animated, Doc, or shorts. Don't ask me.

BEST PICTURE
Anywhere between five and ten nominees. I'm thinking ten.

The Big Short
Brooklyn
Carol
Ex Machina
Mad Max: Fury Road
The Martian
The Revenant
Room
Spotlight
Steve Jobs

BEST DIRECTOR
The exact DGA lineup.

Alejandro G. Iñárritu, The Revenant
Tom McCarthy, Spotlight
Adam McKay, The Big Short
George Miller, Mad Max: Fury Road
Ridley Scott, The Martian

More predictions, after the jump

The 2015 Hollmann Awards Nominees!

Finally, the nominees for (if you can believe it) THE TENTH ANNUAL HOLLMANN AWARDS!

Who would have guessed that I had the attention span to not only keep this going, but to also spin it off into the Retro Hollmann Awards? And we just keep growing and growing, baby!

Each category is presented in the order in which I finalized them, eighteen in all.

BEST ORIGINAL SONG

Chi-Raq - "Pray 4 My City"

music and lyrics by Rico Cox/Robert Amparan/Leroy Griffin, Jr./Nick Cannon

Fifty Shades of Grey - "Earned It"
music and lyrics by The Weeknd/Stephan Moccio/Jason "DeHaela" Quenneville/Ahmad Balshe

Fifty Shades of Grey - "Love Me Like You Do"

music and lyrics by Max Martin/Savan Kotecha/Ilya Salmanzadeh/Ali Payami/Tove Lo

Fifty Shades of Grey - "Salted Wound"

music and lyrics by Brian West/Gerald Eaton/Sia Furler/Oliver Kraus

Youth - "Simple Song #3"

music and lyrics by David Lang


BEST SCORE

The 33
James Horner


Carol
Carter Burwell


It Follows
Disasterpeace


Steve Jobs
Daniel Pemberton

The Throne
Bang Jun-seok

Non-music-related categories after the jump!

2015 in Review: My Top Ten

Later than most everyone else's, but here it is: my Top Ten of 2015. Presented in alphabetical order -- full rankings to come in the days ahead, what with the Hollmann Awards on their way. For a complete list of the 124 films I saw this year, click here.

Brooklyn

dir: John Crowley
scr: Nick Hornby, from the novel by Colm Tóibín
cin: Yves Bélanger
Perfectly captures the bittersweetness of leaving home and everything you know behind for the first time; on the flip side, also perfectly captures how you don't realize how much you've changed until you return home. Love watching Saoirse Ronan's performance grow from an overwhelmed quiet to a more refined confidence. Indeed, the whole ensemble is engaging, realistic, from the giggly young boarders to gossipy Irish villagers. One of the great endings of the year.

Carol

dir: Todd Haynes
scr: Phyllis Nagy, from the novel The Price of Salt by Patricia Highsmith
cin: Edward Lachman
Speaking of great endings, the last act of this one was one of the more pulse-pounding experiences I had in a theater this year. From Carol's words to Therese before their dinner's interrupted, all the way to the last shot. Everything before it is great, too. At one point, Therese asks a male would-be suitor, "How many times have you been in love?" This is the movie that perfectly captures that first love, the love that left you clammy-handed but more Yourself than anything before or after.

More stories of women, tales of despair, and fascinating true stories after the jump...

SAG Award Wackiness!

Everybody's calling this morning nominations for the Screen Actors Guild Awards weird. I'm one of them. But let's be clear -- what we really mean is that few of the pre-ordained "front-runners" were included. The nominating committee, the members of which change every year, voted with their hearts, and it took everyone by surprise. For me, the system worked -- even if there are nominations that drive me absolutely crazy.

I'll get to the movies in a bit, but re: television: no Grace and Frankie and no Empire make me very skeptical of this year's committee. That's all I'm gonna say.

Ok. So.

SUPPORTING ACTRESS
Rooney Mara, Carol
Rachel McAdams, Spotlight
Helen Mirren, Trumbo
Alicia Vikander, The Danish Girl
Kate Winslet, Steve Jobs

I told y'all Mirren was in. Told. Y'all. In fact, I successfully called four of the nominees, missing out on McAdams. Indeed, McAdams placement gave me hope for the rest of her cast, which made the next set of nominees a shocker.

SUPPORTING ACTOR
Christian Bale, The Big Short
Idris Elba, Beasts of No Nation
Mark Rylance, Bridge of Spies
Michael Shannon, 99 Homes
Jacob Tremblay, Room

Not a Spotlight to be found, and the nods for Bale and Shannon left me shocked SHOCKED.

ACTOR
Bryan Cranston, Trumbo
Johnny Depp, Black Mass
Leonardo DiCaprio, The Revenant
Michael Fassbender, Steve Jobs
Eddie Redmayne, The Danish Girl

Here's the thing. Kristopher Tapley pointed out that, except for The Revenant, all these films screened for SAG before November. And Leo doesn't always get nominated at the SAG Awards. So the fact that they went out of their way to nominate him tells me this really could be his year, though part of me is still holding out for a Fassbender surprise.

ACTRESS
Cate Blanchett, Carol
Brie Larson, Room
Helen Mirren, Woman in Gold
Saoirse Ronan, Brooklyn
Sarah Silverman, I Smile Back

Sarah Silverman! Good for you, girl! Work that nod into something more! But everyone needs to calm down with the Mirren love. I gave you The Last Station. I put up with Hitchcock. I predicted Trumbo because why not? But I will not stand for Woman in Gold.

ENSEMBLE
Beasts of No Nation
The Big Short
Spotlight
Straight Outta Compton
Trumbo

Ooh, they loved Trumbo, didn't they? I was surprised with how much I liked it, though it isn't a movie I think about often. Very very very happy about Spotlight and Straight Outta Compton. But boy does this lineup remind me of 2007 -- remember that? No Country for Old Men won against 3:10 to Yuma, American Gangster, Hairspray and Into the Wild.

***KEEP EVERYTHING BELOW THIS MESSAGE AT THE BOTTOM OF EACH POST - DELETE MESSAGE BEFORE POSTING**
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The Awards So Far

Derelict in my duties, I have been! I haven't talked about the National Board of Review, the New York Critics, or the Los Angeles Critics. I don't remember if I have before, but I definitely keep charts of all three.

Here's what happened:

NATIONAL BOARD OF REVIEW: Mad Max: Fury Road won Best Picture; The Martian won Best Actor (Matt Damon), Best Director (Ridley Scott), and Best Adapted Screenplay (Drew Goddard). This immediately reminded me of my trip to South Korea, mostly because that's where I saw Mad Max, but also because the friend I was visiting at the time wound up loving The Martian so much, he saw it thrice (at least) in theaters. So that was interesting. Meanwhile, Brie Larson (Room), Sylvester Stallone (Creed), Jennifer Jason Leigh (The Hateful Eight) round out the actors; Quentin Tarantino wins Original Screenplay for The Hateful Eight.

NEW YORK FILM CRITICS CIRCLE: Carol, which I plan to see a second time this week, dominated with four wins, including Film, Director (Todd Haynes), Screenplay (Phyllis Nagy), and Cinematography (Edward Lachman). The big shocker: Michael Keaton winning Actor for Spotlight, an ensemble film full of supporting actors/actresses. Supporting Actor, instead, went to Mark Rylance for Bridge of Spies (deserved); Supporting Actress to Kristen Stewart for Clouds of Sils Maria (the only movie I saw during my one week in New York City, which I visited for the first time a week before South Korea); Actress to Saoirse Ronan for Brooklyn, a dream of a film, a phenomenal performance.

LOS ANGELES FILM CRITICS ASSOCIATION: Spotlight may be the best movie of the year -- certainly LAFCA thought so, since, in addition to Screenplay, that's what it won. Then the rest of the categories spread the love: Mad Max: Fury Road's George Miller for Best Director, Steve Jobs' Michael Fassbender for Best Actor, 45 Years' Charlotte Rampling for Best Actress, 99 Homes' Michael Shannon for Best Supporting Actor; Ex Machina's leading lady Alicia Vikander for Best Supporting Actress.

Joe Reid pointed out on Twitter that this is the first time since 1988 all three critics' bodies split in every category. By the way, Oscar awarded Rain Man for Best Picture, Best Director, Best Actor, and Best Original Screenplay that year -- total mentions by any of these groups: 0.

In the morning, another group will announce their nominees -- the Screen Actors Guild. My predictions, after the jump.

(n)Ever Too Early: Oscar Predictions

Ah, April. The Academy Awards are now a little over a month behind us, which means it's time to start speculating about next year's Academy Awards nominations. Why not? It's fun!

Hat tip to Nathaniel of The Film Experience, who began the tradition of April predictions long ago, and who's currently giving his far more thought than I am mine.

I did pretty well last year, actually -- though the fact that I made predictions after Cannes probably helped. Nevertheless, let's try it -- my predictions for eight of the Oscar categories for next year, after the jump!