Showing posts with label Aladdin. Show all posts
Showing posts with label Aladdin. Show all posts

Monday, June 22, 2020

Top Ten of 1992

So, we've talked about the Oscar picks of 1992, and what I would have chosen from the nominees. We've discussed the horror offerings of 1992 and my personal Top Seven. Now, having seen 73 films from 1992, I can safely say that this is my Top Ten - with apologies to the almost-made-its: Glengarry Glen Ross, Shadows and Fog and Twin Peaks: Fire Walk with Me.

Wednesday, June 10, 2020

1992, Day Eight: Score

Here are three scores that one assumes almost made it - they were, after all, nominated or awarded elsewhere - but didn't make the final cut. Each album cover will bring you to the score's playlist on YouTube, so treat yourselves!

  

From left to right, you're looking at the Golden Globe-nominated score to 1492: Conquest of Paradise by Vangelis, the LAFCA Award-winning score to Damage by Zbigniew Preisner, and the BAFTA Awards- and Golden Globe-nominated score to The Last of the Mohicans by Trevor Jones and Randy Edelman.

Great work, but not the nominees! The nominees are:

Thursday, June 4, 2020

1992, Day Three: Original Song

Except for the recent phenomenons of "Shallow" from A Star is Born and the dance remixes of Frozen's "Let It Go", popular music and Oscar's Original Song category just don't have the same relationship as they did in the '80s and '90s. This year in particular: at the 36th Grammy Awards the following year, these same songs would compete against each other, and not just in the specialty categories for soundtracks. The Bodyguard's soundtrack won Album of the Year, Aladdin's "A whole New world" won Song of the Year, both competed against each other for Record of the Year (tho' The Bodyguard did so with the Dolly Parton cover "I will Always Love You" - and won), and, just like here, they made up 4/5 of the nominees for Best Song written for Visual Media.

OK, so I guess it was mostly The Bodyguard and Aladdin that dominated, but it's not difficult to see why. They're good songs! Actually, overall, it's an exceptional group of nominees, as you can hear for yourself:

Friday, January 10, 2020

My Top Ten of 2019

As I noted earlier, my tally for 2019 releases seen in 2019 was 97; to that, I add three more: 1917, The Rise of Skywalker and Uncut Gems, for a comfortable 100. Which means I've finally seen enough films to comfortably make my Top Ten of the year!


Apologies to the also-rans: 1917, Atlantics, Climax, Diane, Extreme Job, Ford v. Ferrari, Knives Out, Late Night, Little Women and Mal-Mo-E: The Secret Mission.

And now, in alphabetical order...

Tuesday, May 12, 2015

Casting Coup Tuesdays: Aladdin

In 1989, The Little Mermaid ushered in what we now know as The Disney Renaissance. This period, which continued through 1998 (Mulan), begat a series of now-classic films that changed cinematic history. The Lion King (1994) inspired a Broadway smash hit; Beauty and the Beast (1991) was the first cartoon to be nominated for Best Picture; and the 1992 film Aladdin became the first animated film to cross the 200 million dollar mark at the box office!


And it's no wonder! It's fast-paced, funny, and boasts three unforgettable songs: the show-stopping, toe-tapping "Friend Like Me", the utter blast of "Prince Ali", and the Oscar-winning love duet "A Whole New World". Robin Williams' work as the Genie is rightfully considered one of the greatest  performances in film history, voice-only or otherwise, and earned the actor a special Golden Globe, as  well as the MTV Movie Award for Best Comedic Performance. It's unmatchable. Only a fool would attempt to replicate it.

So let's not replicate it. Let's instead imagine a different Aladdin. A live-action Aladdin.

After the jump, I mean.

Thursday, April 23, 2015

May and June Casting Coups!

Casting Coup Tuesdays are coming back -- and not just as part of the Retro Series either!


MAY
Disney's been on a live action kick -- so let's join them.

May 5: MULAN - announced as among the next batch of intended live action remakes

May 12: ALADDIN

May 19: THE BLACK CAULDRON

May 26: POCAHONTAS

JUNE
Y'all know I love me a musical. So let's revisit some classic ones.

June 2: THE WIZ - already announced as NBC's next Live Musical production

June 9: ZORBA - musical version of the Oscar-winning film, the latter of which was discussed a bit back in the day

June 16: FLOWER DRUM SONG - Original Broadway version

June 23: A LITTLE NIGHT MUSIC

June 30: CALAMITY JANE - the 1953 film, which we discussed a bit last year

JULY
Oh, we'll get there when we get there.


So mark your calendars, come up with your own casts, and make sure to share all your thoughts and feelings in the comments!

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