Showing posts with label The Ghost and Mrs. Muir. Show all posts
Showing posts with label The Ghost and Mrs. Muir. Show all posts

Tuesday, November 28, 2017

The 1947 Retro Hollmann Awards Nominees

Can you believe this is the thirteenth iteration of the Retro Hollmanns? Probably you never thought about it!

Following are my picks for what should have been nominated in 1947...but with some not so small differences:

  • Best Costume Design - not an Oscar category until the following year; nevertheless, it is a Hollmann Awards category
  • Best Makeup & Hairstyling - not an Oscar category until 1981; nevertheless, it is a Hollmann Awards category
  • Best Ensemble - not an Oscar category; nevertheless, it is a Hollmann Awards category, awarded where possible to the casting director(s)
  • Best Adapted Screenplay - not an Oscar category until 1957; nevertheless, it a Hollmann Awards category
  • Best Original Screenplay - considered separate from Motion Picture Story until 1958; both are combined into this single designation for the Hollmann Awards

For a complete list of the 64 films considered, check out my Top Ten of 1947. Eighteen categories in all. And now, the nominees, in the order that I figured them out...except Best Picture, which comes at the end. I've linked to my review the first time each title appears.

BEST VISUAL EFFECTS

John P. Fulton, special photographic effects
Harry Redmond, Jr., special effects

Ivor Beddoes, special photographic effects
W. Percy Day, process shots / matte painter
Arthur George Day / Thomas Sydney Day, matte painters
E. Hague / Jack Higgins / Sydney Pearson / James Snow, special effects

Fred Sersen, special photographic effects

Stanley Grant, special photographic effects
William C. Andrews / Henry Harris / Douglas Woolsey, special effects

Ub Iwerks, special processes
Brad Case / Blaine Gibson / Joshua Meador / George Rowley, effects animators

18 more films, 17 more categories, all after the jump....

Monday, November 27, 2017

Top Ten of 1947

Many Top Tens are difficult to draft up, but I must confess, this was one of the easiest I've ever made. In alphabetical order....

The Bishop's Wife
dir: Henry Koster
scr: Leonardo Bercovici and Robert E. Sherwood, based on the novel by Robert Nathan
cin: Gregg Toland

Like the angel Dudley, the film possesses a deceptively light touch whose gentle caresses bring forth great depths of feeling. It's funny but not silly, fanciful but not absurd, and it winks at extramarital flirtations without compromising anyone's integrity. Given the subject matter, it is only fitting that it be, from beginning to end, a pure joy.

Black Narcissus
dir/scr: Michael Powell & Emeric Pressburger, based on the novel by Rumer Godden
cin: Jack Cardiff

A triumph of craftsmanship - the awe-inspiring effects and matte work, Jack Cardiff's photography capturing warmth and tempestuousness in eye-popping Technicolor, the detailed decay of a mountaintop convent. A triumph, too, of narrative - the unhappy woman who shuts herself up behind convent walls in the Himalayas, little realizing that only here, high enough to touch the heavens, is she truly exposed. Sexy and sad!

Tsars, circus folk, holy men and more, after the jump....

Monday, November 6, 2017

1947, Part Three: Love! Romance! (and Gentleman's Agreement)

This group is all about love stories. There's a pair of married detectives, a woman in love with a ghost, a teenager obsessed with an adult, and multiple (multiple!) incest-y relationships! Wow! Even the socially-conscious Best Picture winner Gentleman's Agreement illustrates its war against anti-Semitism with an increasingly wary romance between two liberal Gentiles, one of whom is pretending to be Jewish.

So strap in, baby! There's some passion to be felt here.

Mourning Becomes Electra
dir/scr: Dudley Nichols, based on the play by Eugene O'Neill
Oscar Nominee: Best Actor (Michael Redgrave), Best Actress (Rosalind Russell)

An American riff on Greek Tragedy about a New England family at the end of the Civil War. You'd think incest and murder would be more interesting. That Russell was even nominated, much less the frontrunner for much of the season, says more about her campaign than her performance. A real bore.

Spirits, farmers, murder, and more - after the jump!