Further Thoughts On The Golden Globes

Scattered, more detailed thoughts on those Golden Globe nominations, and what they mean for Awards Season overall...

1) A lot of people are stunned and angry about Jordan Peele's absence from the Best Director lineup at the Golden Globes. I will be shocked if he actually winds up nominated at the DGAs or the Oscars. That's nothing to do with the quality of his work; there's a reason why it's sustained its level of hype from February, and not just because it captures The Moment in terms of our current conversations regarding race and whiteness - it's because of the craftsmanship, the originality. Still, while Best Picture and Best Original Screenplay nominations are all but guaranteed, Peele's working in a genre seldom given due at the Oscars. Besides, it's a crowded field in general: Guillermo del Toro, Steven Spielberg, Luca Guadagnino, Sean Baker, Martin McDonagh, Paul Thomas Anderson, Greta Gerwig, Ridley Scott, Dee Rees. Peele's a more likely nominee than a good chunk of this group, but with no consensus yet on even the top three frontrunners, he's got hurdles.

Talking 'bout Wonder Woman, Three Billboards, and more, after the jump....

The 1965 Hollmann Awards: Best Actor, Best Cinematography, and more!

Yes, a full month after my last post, I'm finally continuing my personal picks for the best of 1965. And best of all -- there are still two more posts after this!

Today, we take a look at Best Original Song, Best Sound, Best Actor, and Best Cinematography. And be forewarned: in at least one of these categories, not a single one of Oscar's nominees made it!

Shall we begin with a little song and dance?

BEST ORIGINAL SONG

5. "Recit de Cassard" from The Umbrellas of Cherbourg

music by Michel Legrand
lyrics by Jacques Demy

4. "The Ballad of Cat Ballou" from Cat Ballou

music by Jerry Livingston
lyrics by Mack David

3. "Something Good" from The Sound of Music

music and lyrics by Richard Rodgers

2. "The Sweet-Heart Tree" from The Great Race

music by Henry Mancini
lyrics by Johnny Mercer

1. "I Will Wait for You" / "Duo de Guy et Genevieve" from The Umbrellas of Cherbourg

music by Michel Legrand
lyrics by Jacques Demy

Best Actor and Best Cinematography below the jump.

The Gold Rush: Part 2

You know you want to check out Part One of this conversation, if just for context. It's over at the March King's blog. It's our annual Oscar Conversation, The Gold Rush, a continuation of the conversations we had in his living room when we first started following Awards Season seriously.

 

SILVER SCREENER: So, on to the big stuff?

MARCH KING: Alrighty.

SS: Let's get Actor out of the way, because I haven't seen A Better Life yet.

Quien es?

 

MK: (chuckle) A Better Life... I guess I don't really get it. He was fine. But Best

Actor? Really? Anyway, my pick would have to be Gary.

SS: Oh, undoubtedly. There was no better moment on Oscar Nom Morning than when his name came up. It's quiet, it's layered, it's a beautiful thing.

MK: It's subtle, but somehow seems to explode at just the right moments. Something I would have liked to see George [Clooney] try. Not to knock George, I love George. But at this point in his career... between these two roles... Gary clearly trumps. And Brad [Pitt] did a good job as well. But he wasn't Gary.

SS: Though Brad really brought it, too. An old-fashioned Movie Star role that was just about perfect for his strengths.

MK: Love Brad. He's really trying these days. Even looking back at his questionable performances...like Troy...you can still see how hard he was trying. Like I can understand how he may have been misled by the idea of muscle over madness... something about his fitness preparation still screamed actor. Sadly the actual performance fell flat. Then fast-forward to Benjamin Button. He was really something in that. Brad's starting to click in all the right places. No question.

SS: I think he has been for a while.

MK: Yeah, it's fun to watch.

SS: And then, of course, there's the inevitable winner, Jean Dujardin.

MK: ...yeah...

SS: I'm down with that. Of this lineup, he's my close second.

MK: He's good. Not gonna deny that. I just would rather see Gary.

SS: Well, yeah, but of this specific lineup, I would be pleased for Dujardin, Oldman or Pitt if they got it. Full-on celebration.

MK: It's that kind of year man.

So can we back up for a second? I feel like we've skipped a few things. Documentary Feature, Animated Feature...

SS: Because who cares?

MK: Me?

SS: Fine. In both those categories, I've seen Puss in Boots and Rango. Rango's great, so is Puss. I think Rango gets it, but I'd be down with a Puss win, too

MK: See I'm thinking it's between Kung Fu Panda 2 and Rango. Something so beautiful about Kung Fu Panda 2. It’s in my top ten this year.

ANYTHING THIS ADORABLE DESERVES TO WIN IT ALL.

The 2011 Hollmann Awards: Part One

Hello, and welcome to the First Chapter of the Hollmann Awards. I'm Dame Judi Dench, your guide through our Spaceship Earth, and your Mistress of Ceremonies for the first half. As a previous nominee for the Hollmann Awards, I know firsthand what an effect they have on one's career: it was the last film award I was ever nominated for. In 2006. So long ago. So long....

But let's get on with it? The 2011 Hollmann Awards in 2012!

Casting Coup Tuesdays: The Girl with the Dragon Tattoo

When a book becomes a worldwide bestseller, it's only natural that Hollywood comes sniffing around to see what all the fuss is about. When the same book becomes a hit foreign film, Hollywood knows it can have better results without subtitles. And when David Fincher takes an interest, greenlight that baby, man, greenlight that!

I've never read The Girl with the Dragon Tattoo. It's 600-plus page count is a little daunting, and I only tackle tomes like that once in a while (it's been four years since Atlas Shrugged, though that's admittedly longer). I have seen the highly-acclaimed Swedish film starring Noomi Rapace and directed by Niels Arden Oplev. There's much to admire about the film, like the story -- though that comes from the novel. And the lead actor, Michael Nyqvist, is pretty good. But otherwise, this is a film that needs a remake by a director as talented and amazing as David Fincher. It's pretty murky, it jumps around a lot, and it's almost irritatingly on the nose sometimes -- the original title in Sweden is Men Who Hate Women. So, yeah, I'd welcome a remake by someone dependable, subtle and clear-headed.

But I started hearing rumors of Brad Pitt, Kristen Stewart, Ellen Page, Natalie Portman...and all I could think was, "No, no, no, no, no!" Mr. Fincher, if I may interject here: I have some ideas of my own. One of these has been heavily rumored as well, but I want to point out that I had the idea first (my cousin and my roommate can confirm). Let my other brainstorms be known:

INTERESTED PARTIES

DRAGAN ARMANSKIJ

Who is He: Lisbeth's boss. He assigns her to get info on Mikael for the Vangers. So it's really his fault that she gets involved in the muckedy-muck.

Originally played by:

Michalis Koutsogiannakis (All It Takes is a Miracle, The Girl Who Played with Fire)

My Choice:

Peter Friedman (I Shot Andy Warhol, Someone Like You...)

Dragan only has one scene in the movie, but he's in the full trilogy. With a regular, you want someone dependable, one who could believably play a middle-aged bossman/father figure. Oh, hey-hey-hey, if it ain't Mr. Friedman, one of the best character actors working today!

ERIKA BERGER

Who is She: Mikael's editor and sometimes lover.

Originally played by:

Lena Endre (Jerusalem, Day and Night)

My Choice: Indie Spirit Winner for Best Supporting Actress (Lovely & Amazing)

Emily Mortimer (Shutter Island, Harry Brown)

Very awesome, talented actress, one I've watched with great interest since Scream 3. She looks great in a pants-suit, and I don't mean that like, "ooh, sexy", I mean that she seems smart and looks like a pro. So, if you need to cast someone as an attractive newspaper editor, why not get the great Mortimer?

NILS BJURMAN

Who is He: I think he's the parole officer in charge of Lisbeth Salander, though I guess in Sweden they call them "guardians". Nils is the new guy, one is not as understanding of Lisbeth as his predecessor. He is a grasping, corrupt, evil man who takes power over women through abuse and rape.

Originally played by:

Peter Andersson (Zero Tolerance, Mouth to Mouth)

My Choice:

Harry Enfield ("Harry Enfield and Chums", "Skins")

Though a comedian, in Marple: The Moving Finger, he showed a skeezier side. I guess that's all the reasoning I have. It feels right.

PLAGUE

Who is He: A tech wiz who helps Lisbeth with her computer hackery. I'm pretty sure. He's also fat.

Originally played by:

Tomas Kohler (The Love Life of a Fat Thief, The Girl Who Kicked the Hornet's Nest)

My Choice:

Jorge Garcia (The Good Humor Man, Deck the Halls)

He's large and a good actor. And, come on, he's going to need the work now that "Lost" is over. Could do worse than a Fincher-directed remake of a hit series.

HANS-ERIK WENNERSTROM

Who is He: A corrupt businessman Michael investigates. Nothing to do with the main story, but gives the investigation a "ticking clock" to work against after Wennerstrom manages to get Mikael convicted of something or other.

Originally played by:

Stefan Sauk (At Point Blank, Dear Alice)

My Choice:

Zeljko Ivanek (Dogville, Live Free or Die Hard)

Have you seen "Damages"? He's AWESOME on that show.


THE WOMAN
Who is She: The one who can provide the most important clue of all.

Originally played by:

 Ewa Froling (Sally and Freedom, Fanny and Alexander)

My Choice: Academy Award Nominee for Best Actress (The Contender) and Best Supporting Actress (Nixon, The Crucible), BAFTA Award Nominee for Best Supporting Actress (The Crucible), Golden Globe Nominee for Best Actress in a Drama (The Contender) and Best Supporting Actress (The Crucible), Indie Spirit/SAG Award Nominee for Best Actress (The Contender), SAG Award Nominee for Best Actress and Best Ensemble (Nixon)

Joan Allen (Pleasantville, Bonneville)
It's a small but important role, so it needs an actress par excellence. An actress with great gravitas. An actress who can deliver a solid performance without vanity. Joan Allen.

THE FAMILY

DIRCH FRODE

Who is He: Vanger attorney and Henrik's friend. He's the one who gets Michael involved in the investigation of the forty-year-old disappearance of then-teenager Harriet Vanger.

Originally played by:

Ingvar Hirdwall (Let's Play House, Daybreak)

My Choice: Academy Award Nominee for Best Supporting Actor (Chariots of Fire), BAFTA Award Winner for Best Supporting Actor (The Bofors Gun, Chariots of Fire), SAG Award Winner for Best Ensemble (The Lord of the Rings: The Return of the King)

Ian Holm (Henry V, Lord of War)

And now we get to the all-star aspect. Older gentleman, a real trustworthy type.


CECILIA VANGER
Who is She: Daughter of old hermit Harald Vanger, niece to Henrik, cousin of the missing Harriet.
Cecilia was close with Harriet, and the two of them briefly looked after Mikael. She seems to be attracted to Mikael, but he does not respond.

Originally played by:

Marika Lagercrantz (All Things Fair, I Wonder Who's Kissing You Now)

My Choice:

Kim Cattrall (Mannequin, The Bonfire of the Vanities)
I really liked her in The Ghost Writer. She's another well-known yet non-distracting actress. Right age and right talent.


HARRIET VANGER
Who is She: The sixteen-year-old favorite niece of Henrik who disappeared mysteriously forty years ago.

Originally played by:

Julia Sporre

My Choice: Indie Spirit Nominee for Best Supporting Actress (That Evening Sun)

Mia Wasikowksa (Defiance, Amelia)
Yeah, she'll do.


HENRIK VANGER
Who is He: The patriarch of the Vanger clan, he unofficially reopens the investigation behind the disappearance of his favorite niece. Henrik is a kind, old man, and the only one of his brothers not completely in love with Nazis. Now retired, he was the CEO of the Vanger Corporation.

Originally played by:

Sven-Bertil Taube (Jerusalem, London Voodoo)

My Choice: Academy Award/Golden Globe/Indie Spirit/SAG Award Nominee for Best Supporting Actor (The Last Station), SAG Award Nominee for Best Ensemble (A Beautiful Mind)

Christopher Plummer (The Sound of Music, Dreamscape)
When I saw the movie, I immediately thought of Holm, my two leads, and Plummer. Plummer can play the controlled emotions. He can play the great grief in the private moments. He's an old pro, but he's in great shape.


MARTIN VANGER
Who is He: Current president of the Vanger Corporation. Harriet's brother. He and Mikael warm to each other, and he tries to get the other family members to cooperate.

Originally played by:

Peter Haber (Sommarmord, All It Takes is a Miracle)

My Choice: Golden Globe Nominee for Best Supporting Actor (Far From Heaven), Indie Spirit Winner for Best Actor (The Big Easy) and Best Supporting Actor (Far From Heaven), SAG Award Winner for Best Ensemble (Traffic)

Dennis Quaid (Dreamscape, G.I. Joe: The Rise of Cobra)
A guy who always rocks when he stretches, and this role would put him through the wringer. And hell, I would see anything he's in.


THE SLEUTHS

MIKAEL BLOMKVIST
Who is He: Journalist for, and publisher of, Millenium. He gets into trouble after investigating corrupt tycoon Hans-Erik Wennerstrom. Now he finds himself sleuthing alongside Lisbeth when Henrik asks him to find the truth behind a forty-year-old disappearance.

Originally played by:

Michael Nyqvist (Day and Night, London Voodoo)

My Choice: BAFTA Award Nominee for Best Actor (Casino Royale), Indie Spirit Nominee for Best Supporting Actor (Infamous)

Daniel Craig (The Mother, The Invasion)
He's got what Mikael needs: smart, middle-aged, and sexy. Not ridiculously sexy, but you can understand why ladies would go for him. He's an action star and a dramatic actor, meaning you're going to get a great performance no matter what he's doing.


LISBETH SALANDER
Who is She: Bisexual computer hacker with a dark past. She helps Mikael find the truth behind Harriet's disappearance.

Originally played by:

Noomi Rapace (Bloodbrothers, Daisy Diamond)

My Choice:

Olivia Thirlby (Juno, Breaking Upwards)
Hear this. She's age-appropriate, but it wouldn't be creepy if she hooked up with Daniel Craig. She's beautiful, but you could totally see her doing the bad-ass thing without looking strange or acting mannered. And she's a phenomenal actress. She'd be my perfect Lisbeth Salander.

The Sunshine Land of Rudo Y Pelham 1-2-Up

A few more reviews, five sentences each. GO TIME.


UP
Great opening sequence, if a tad manipulative. That little kid is so fucking annoying. And the characters aren't as well-drawn as in previous Pixar movies (cry me a river, Russell; bitching ain't an arc). Ed Asner and Christopher Plummer (especially) do fantastic voice work, though. Lord, that first moment with the balloons is amazing.


LAND OF THE LOST
Not terrible. Some jokes fall flat, and this is mostly due to the filmmakers' desire to "appeal" to a more "adult" crowd with crass humor. But when it plays it straight, God is it fun. Out of the leads, Danny McBride is the most charismatic (which is whoa). Michael Giacchino's score is tops.


THE TAKING OF PELHAM 123
FREEKING AWESOME! Denzel Washington, James Gandolfini, John Travolta, John Turturro, etc., are all amazing! Edge of your seat excitement 100 percent! I got jumpy and nervous and sweaty, it was so immersive! Def buy it on DVD!


RUDO Y CURDSI
Nice little drama about soccer effecting the lives of the titular brothers. Gael Garcia Bernal and Diego Luna are as engaging as always, but it is Guillermo Francella, as their manager, who really steals the show. Great use of Cheap Trick. Carlos Cuaron proves that talent runs in the family. And those costumes!


SUNSHINE CLEANING
It's interesting when a movie pulls punches and still tries too hard, but that's what this movie does. Alan Arkin is in full Little Miss Sunshine mode, while Emily Blunt tries her darndest with a sketchily-written character. Hollmann Award Winner Amy Adams is totally NOT Amy Adams, and also does her best with a role that doesn't give much. But she rocks it anyhow. Unfortunately, it's not enough to save this ultimately dull attempt at dramedy.