Showing posts with label Nikolay Cherkasov. Show all posts
Showing posts with label Nikolay Cherkasov. Show all posts

Wednesday, August 8, 2018

The 1959 Retro Hollmann Awards: Part One

The 1959 Retro Hollmann Awards will be unveiled over a period of three days.

The full list of nominees here.

We start today with Best Costume Design.

Best Costume Design

Black Orpheus
Isabel Pons

2. Ivan the Terrible, Part Two: The Boyars' Plot; 3. Li'l Abner; 4. Some Like It Hot; 5. Imitation of Life

Everyone just looks so sexy, and that's before the party starts! The colors and designs that come out of the Carnaval costumes are the centerpieces: the veiled Eurydice, the armored (albeit in a way that still compliments his toned chest) Orfeu, the skeletal Death. It's breathtaking.

In second, the royal robes become part of the plot in Ivan the Terrible, Part Two: The Boyars' Plot. In third, the comic book colors - capital-c Costumes - in Li'l Abner. In fourth, the dresses fit for all shapes, sizes, and sexes in Some Like It Hot. In fifth, the fashionable gowns and practical housecoats of Imitation of Life.


More, including Best Actor, Best Original Song, and Best Visual Effects, after the jump....

Friday, December 1, 2017

The 1947 Retro Hollmann Awards, Part Two

We've shared the Top Ten. We've named the nominees. We've given out the first batch of prizes. Now, the final day of the 1947 Retro Hollmann Awards...which means the end of our look back at 1947. Each category is presented in the same order as at the 20th Academy Awards. Yup: we're closing out with Best Actress!

But first....

Best Actor

Nikolay Cherkasov as Tsar Ivan IV
Ivan the Terrible, Part One

2. Edmund Gwenn in Miracle on 34th Street, 3. Cary Grant in The Bishop's Wife, 3. Ronald Colman in A Double Life, 5. David Niven in The Bishop's Wife

Cherkasov is exhausting and all-in as the first Tsar of All Russia. He is sweating every single moment. The most surprising moments involve his scenes with wife Anastasia - that's real love, baby, real tenderness, real sorrow. His performance is a spectacle without equal. My understanding is that this definition of "terrible" isn't so much "Ivan the Bad" as it is "Ivan the Formidable" and, fuck me, Cherkasov is formidable.

Gwenn is Santa Claus. Grant exudes a gentle, holy warmth. Colman goes nuts, with subtlety. Niven does befuddled frustration without compromising the chemistry with Loretta Young.

Original Song, Adapted Screenplay, Best Picture and more, after the jump....