Showing posts with label The Piano. Show all posts
Showing posts with label The Piano. Show all posts

Tuesday, September 10, 2013

1993 Retro Hollmann Awards: The Longlists

Trying to at least get this in before midnight on the East Coast.

As is tradition, the precursor to my Hollmann Awards are the longlists. There are, at most, 15 finalists in each of the 18 categories. Some categories didn't make it to 15; those that fall under this umbrella have the number of finalists in parentheses.

BEST PICTURE
Carlito's Way
Dazed and Confused
Farewell My Concubine
Groundhog Day
Jurassic Park 
Manhattan Murder Mystery
Orlando
The Remains of the Day
Ruby in Paradise
Schindler's List
Searching for Bobby Fischer 
Six Degrees of Separation
Three Colors: Blue 
Tim Burton's The Nightmare Before Christmas
Wrestling Ernest Hemingway 

Thursday, September 5, 2013

Friday, August 23, 2013

Friday, September 25, 2009

Supporting Actress Smackdown '93: The Piano

This Sunday, I am taking part for a third time in the Supporting Actress Smackdown hosted by StinkyLulu. Five movies will be screened, with the Oscar-nominated supporting actress performances reviewed and rated. The year is 1993.

THE PIANO



I don't know what to say about The Piano. It was beautiful and unlike anything I'd ever seen, I know that much. I know this was some of the best acting I've seen in a film. I also know, however, that I probably was not in thr right frame of mind when watching it. I was on a Bright Star high, and it was folly of me to approach a new Campion so immediately.

I think what I find so bizarre is the relationship between George (Harvey Keitel) and Ada (Holly Hunter). It's supposed to be a love story, isn't it? And yet I see what George does as manipulative and disgusting. Oh, yes, it's very neat to open the mute woman to carnal pleasures...but presumably she would already know what that's like, right? She has a daughter, after all. Is it George's approach? I don't understand what I'm supposed to be feeling, because I feel like "sketchy" isn't what Campion was going for.



Anna Paquin won the Oscar for her performance in this film. She is quite good, certainly. It is nice to see a mostly unmannered performance from a young girl. Paquin takes the girl from devoted child to Judas, and it is believably played. Because the girl is jealous of George, right? Or is it that she's just a mischievous, devilish child? Paquin plays her as the kind of girl who starts things out of boredom, cunning and well aware of what kind of damage she'll be doing. Perhaps my problem is with the script: I just don't believe she would betray her mother the way she does. Certainly it would help if they built on the relationship between her and her stepfather...but alas, no.

Damn, I think I'm going to have to see this movie again. There's a lot I really didn't understand, and I don't know if it's my memory or if Jane Campion just didn't provide simple answers. And that's cool to keep things complicated and ambiguous, but I also don't like feeling like things happen just for the sake of happening. I know a lot of people love the film, but I don't understand the attraction between George and Ada, I don't understand why the daughter can be so evil; the only person I can really relate to and understand is Sam Neill as Ada's husband. So...at least Campion didn't turn the role into the stock Jealous, Controlling Husband.

Man, I wanted to like this more.

The Film: ***
The Supporting Actress: ***