|Another award? Come on in...|
Motion Picture - The King's Speech
Animated Feature - Toy Story 3
Documentary - Waiting for "Superman"
I dare say Waiting for "Superman" was the surprise snub of Oscar Nom Morn (Nolan was surprising, but less so; if anyone in that category was going to miss, it was always going to be him). This was the first indication that The King's Speech was more beloved than initially anticipated.
Tom Hooper, The King's Speech
Oh, and then there was this. When the odds-on favorite David Fincher lost this, of all awards, to Hooper, the nail was in the coffin. And everyone went crazy, forgetting that The King's Speech is an admirable film boasting a multi-faceted screenplay, relatable characters portrayed magnificently by top-tier actors, and surprisingly experimental direction. Ok, so it wasn't "art school" experimental, but few films are shot with such reliance on fish-eye lens and intimidatingly spacious headroom. And all for a purpose!
|Helena, you saucy minx.|
Outstanding Cast - The King's Speech
Outstanding Lead Actor - Colin Firth, The King's Speech
Outstanding Lead Actress - Natalie Portman, Black Swan
Outstanding Supporting Actor - Christian Bale, The Fighter
Outstanding Supporting Actress - Melissa Leo, The Fighter
As solid as the cast of The King's Speech is, I do wish this had gone to The Fighter. I shan't argue with those individual awards, however.
Original Screenplay - Christopher Nolan, Inception
Adapted Screenplay - Aaron Sorkin, The Social Network
Documentary Writing - Charles Ferguson, Inside Job
It is difficult to take these too seriously, for several films were deemed ineligible due to the screenwriters not being card-carrying members of the WGA of America. The other Guilds, I believe, nominate non-Guild members - certainly the DGA must, for Tarantino has received two nominations from them and does not belong to any Guild. Because of these bizarre rules, David Seidler's screenplay for The King's Speech missed out on a nomination. It would've won, I'm sure.
But can I say how bizarre I find it that there's a category for documentary writing? And yet I know that narration and editing in a doc is just as dependent on the way the documentarian crafts his story as any narrative. And yet...