Part Two: 1986 Retro Hollmann Awards

Previously, on the 1986 Retro Hollmann Awards...

A Room with a View led the nominations, with twelve....

Aliens and Peggy Sue Got Married lead in wins so far, with two apiece...

Overall, the Top Ten films have been dominating the proceedings, though Top Gun and Legend snuck in with wins of their own...

And now, Part Two - beginning with....

Best Supporting Actress

Maggie Smith as Charlotte Bartlett 

A Room with a View

2. Isabella Rossellini in Blue Velvet; 3. Dianne Wiest in Hannah and Her Sisters; 4. Judi Dench in A Room with a View; 5. Mia Farrow in Hannah and Her Sisters

The key scene for Charlotte Bartlett comes late in the movie, when Lucy realizes her cousin has blabbed about her and George's kiss in Italy. "I shall never forgive myself," Charlotte insists, going back to a regular phrase that usually sets people right. Instead, Lucy snaps, "You always say that, but you always do forgive yourself." You see a shift in Charlotte's eyes, and not only is she suddenly vulnerable, able to express both warmth and regret...you realize that Maggie Smith has actually kept much of her face...not immobile, but calculated. Slight eyebrow-raise here, a firmness of the jaw there, but otherwise Smith maintains Charlotte's mask of wide-eyed innocence, something that helps when doling out insincere remorse calculated to make the injured party comfort her. That she went two hours with limited movement conveying all - and still getting the best laughs in the film - says it all. She is one in a million.

Isabella Rossellini wins second for her portrayal of the sadistically abused yet confusingly masochistic chanteuse Dorothy Vallons. Dianne Wiest comes in third for her portrayal of the sister searching for herself wherever she can, whether it's in an audition or up her nose. Judi Dench places fourth for her pretentious romance novelist that loves her voice and mind. Mia Farrow is in fifth as the strong-willed, helpful sister who keeps her own frustrations buried deep.

Best Original Screenplay, Best Original Song, Best Actor...and Best Picture of the Year...after the jump

Part One: 1986 Retro Hollmann Awards

It's the first day of the 1986 Retro Hollmann Awards - a day late, but it did, indeed, take me a while to finally choose my Number One picks in each category.

The first nine categories will be presented here, beginning with Best Supporting Actor. If you'd like to know all the names of the nominees, do consult the complete nominations announcement.

And now - our first winner!

Best Supporting Actor

Dennis Hopper as Frank Booth
Blue Velvet

2. Daniel Day-Lewis in A Room with a View; 3. Andy Garcia in 8 Million Ways to Die; 4. Wang Xiao in A Great Wall; 5. Simon Callow in A Room with a View

A perfect outlet for Dennis Hopper's particular brand of intensity, Frank Booth is one of the most frightening characters in cinema. His sudden outbursts make him unpredictable - are they strategic, or the result of a truly diseased mind? Hopper suggests it's both, and they get worse as the movie continues, as Frank unravels. But then there's that look when he hears "In Dreams" - Hopper knows what that song means to Frank, you see it in his eyes - and it's a moment that haunts.

In second, DDL's "decadent" snobbery. Andy Garcia's drug lord, calm and collected until the unexpected occurs, in third. Wang Xiao as a poor Chinese teen jealous of his beautiful neighbor's American cousin in fourth. Simon Callow's gleefully indulgent vicar in fifth.


Best Actress, Best Visual Effects, Best Adapted Screenplay, and more - after the jump.

1986 Retro Hollmann Awards Nominees

Ladies and gentlemen, readers both faithful and transient, here they are, my nominees for the 1986 Retro Hollmann Awards! The actual doling out of awards will take place Wednesday and Thursday, giving you time to read this post, stew over the choices, and comment!

For further reference, check out the Top Ten here. And, of course, each flick received a mini-review, which you can read by clicking the title the first time it shows up.

Now, then, the nominees in 18 categories, presented in the order in which I figured out my final picks...

BEST ORIGINAL SCREENPLAY 

Blue Velvet

David Lynch

A Great Wall

Peter Wang & Shirley Sun

Hannah and Her Sisters

Woody Allen

My Beautiful Laundrette

Hanif Kureishi

Peggy Sue Got Married

Jerry Leichtling & Arlene Sarner

The rest after the jump....

The Top Ten of 1986

This was a tough Top Ten to make, and it changed shape many times - I wish I had room for Heartburn, Howard the Duck, and The Mission. But I don't.

In alphabetical order.

8 Million Ways to Die

dir: Hal Ashby

scr: Oliver Stone & R. Lance Hill (as David Lee Henry), from the novel by Lawrence Block
cin: Stephen H. Burum
Apparently not a great experience for Ashby, and both he and the cast are on the record in saying the movie could have been more than the final cut. They want more? Jeff Bridges turns in one of his better performances as the alcoholic Matt Scudder; Andy Garcia's role as a "classy" LA drug lord is his best, and the two play off each other beautifully.

Aliens

dir: James Cameron

scr: James Cameron, story by Cameron and David Giler & Walter Hill, based on characters created by Dan O'Bannon and Ronald Shusett
cin: Adrian Biddle
An imaginative continuation, shifting the "old dark house in space" horror of the original to a feminist action thriller. Really, this movie is the reason the franchise has lasted as long as it has, with its development of Weyland-Yutani, the xenomorphs, and Ripley. It's Cameron, so the action is stellar, the dialogue delicious. And Sigourney Weaver? A five-star performance, honey.

The rest of the ten, after the jump....

Class of '86: Best Picture

As Babs said in 2010, the moment has come. The award for Best Picture could go to any one of these movies.

It could go to the romantic drama about a speech therapist who teaches deaf people to speak...and his love for a deaf woman who refuses to conform to his world, his standards.

It could go to the dramedy about three sisters loving and hating themselves, each other, and each other's husbands in New York.

It could go to the epic about two priests in the South American jungle, struggling to maintain peace, and their vows, as colonialism threatens the lives of the indigenous population.

It could go to the war flick about an intelligent young man who goes to Vietnam to fight alongside his fellow Americans, and witnesses the horrors and degradation of war.

Or it could go to the romantic-comedy about a young woman who becomes transfixed by Italy and spends the next summer fighting her own spirit.

Let Dustin Hoffman tell us who the winner is...

What stands out the most to me as I look at the old-school Best Picture presentation is the acceptance speech. Nowadays, it's customary for everyone to take the stage alongside the producers, a celebration for all involved. Here, it's more focused on the individual, and while Arnold Kopelson certainly deserves his moment in the sun, it feels almost anticlimactic. A night of a thousand stars...and we end on this guy standing on stage alone? After having to sit through Dustin Hoffman's monologue about...something?

None of the Best Pic nominees went home empty-handed. Children of a Lesser God took Best Actress; Hannah and Her Sisters won Best Supporting Actor, Best Supporting Actress, and Best Original Screenplay; The Mission was awarded Best Cinematography; A Room with a View took home Best Adapted Screenplay, Best Art Direction, and Best Costume Design. But Platoon was the big winner of the night in numbers, too, winning a total of four: Best Sound, Best Film Editing, Best Director - and of course, Best Picture.

Did it deserve it? Let's talk, after the jump...

Class of '86: Nervous Sigourney and Best Supporting Actor

Supporting Actor is interesting this year, in that it seems, to me, to consist entirely of the B Squad. Not to deride the accomplishments of these fine men, but most of them aren't even the Best Supporting Actors in their own films, much less of the whole year. The one actor I would argue belongs here is Dennis Hopper, and he's nominated for the wrong movie!

On Oscar night, Jeff Bridges and Sigourney Weaver presented - remember, the previous year's winners teamed up to do Best Supporting Actress - and good Lord people, could it be that presenter banter has actually gotten better in the 30 years since? Were they ad-libbing? Sigourney seems nervous, which is understandable; even though this is her third Oscars as a presenter, it's her first as a nominee, and Best Actress is still to come.

Then comes the anticlimax of a no-show winner - but fortunately, Weaver knows Caine, having worked with him in Half Moon Street, just released the previous September. So it's a sweet moment.

Anyways, after the jump, the nominees - the adulterer of Hannah and Her Sisters, the recovering alcoholic of Hoosiers, the dueling sergeants of Platoon, and the retired journalist of A Room with a View....

Class of '86: Liz and Best Director

Let me tell you, there is no one I would rather get an award from than Elizabeth Taylor. Listen to that pure joy when she announces the name of the winner!

It's a sure tonic after the camera focuses on the wrong person for a solid 20 seconds - pity the poor camera person, who I must assume did not cover Best Original Screenplay, where Stone was nominated twice! But good on Stone - his "Cinderella story" began when he wrote the screenplay in 1976, had a few false starts, no one wanted to fund it - and ended as a Time cover story, multimillion-dollar grossing box office hit, and Oscar winner!

And all he had to beat were previous winner Woody Allen, returning nominees Roland Joffé and David Lynch, and newbie (!) James Ivory. But let's get into the particulars after the jump....

Class of '86: Shirley MacLaine's Spaceship and Best Adapted Screenplay

Best Adapted Screenplay was the first award presented this Oscar night, before host Chevy Chase even took the stage for his opening monologue! Instead, it was preceded by "Crocodile" Dundee star (and Best Original Screenplay nominee) Paul Hogan giving the traditional "keep the speeches short" warning - I watched it last week, but for some reason, the Oscars official YouTube page has taken it down. All that remains is his confusion about where to exit at the beginning of the Writing Oscars presentation, a prelude to further insanity:

It is legit crazy that Shirley MacLaine exited a UFO to present screenwriting awards. Her face when she exits! That cut to the crowd with Jane Fonda looking up into the audience as though to ask, "Who is laughing?" Then, God bless, Shirley's joking about writing and cave-painting and Hollywood. And then, the wall of nominees that looks like it should light up like a game board but does not.

Anyway, James Ivory accepts for Ruth Prawer Jhabvala, writer of A Room with a View. Deservedly? Read on, after the jump....

Class of '86: A Song, Some Dance, and Best Supporting Actress

The year is 1987, but the year being honored is 1986. That was the year the Challenger exploded, the year the People Power Revolution ousted Ferdinand Marcos and his wife from power, the year of the Chernobyl disaster. The Legend of Zelda made its debut, Geraldo opened Al Capone's vault, The Phantom of the Opera opened in London, and The Oprah Winfrey Show began airing in syndication. Oh, and Oliver North started shredding documents related to the Iran-Contra affair (where's that movie, by the way?).

In Oscar Land, meanwhile, we had other concerns. Like, is it possible to acknowledge with a wink and a nudge the crassness of the ceremony in the 80s, how it's been reduced to yet another dog-and-pony betting pool? Honey, not only is that a yes - you can sing about it:

But goodness, we are not gathered here today to talk musical numbers performed by Kojak, Arnold, and Burt Reynolds' BFF. Today, we talk about Best Supporting Actress. And honey, it was all about family this year: Southern cousins who don't get along, distant mothers honestly trying to give intimacy a shot, lonely English relatives who won't stop reminding you how sad they are, neurotic New York sisters who trade husbands - and, just for some variety, a hard-bitten girlfriend with secrets and pluck.

But there can only be one winner...

What kind of order is that for nominees, by the way? It's not alphabetical by name, nor by film title. It's like they picked it out of a hat. Meanwhile, Wiest does well by her co-stars and her character, thanking the members of her fictional immediate family: parents first, then the sister she gets along with, then Hannah herself.

Was Wiest the right choice? Let's talk, after the jump...

1986: The Final 10

The last of the movies screened for our 1986 retrospective!

Power

dir: Sidney Lumet

scr: David Himmelstein

Richard Gere has a mustache in this political...thriller? Fast-paced - two hours went by in thirty minutes, I swear! - and with an intimidating performance from Denzel Washington. But I'm still not sure what happened or why the character reacts the way he does. Gene Hackman doing Tennessee Williams is bizarre, too. Great sets, though.

[one last Best Picture nominee and a sleuthing Sean Connery, after the jump...]