The second and final day of the 1980 Retro Hollmann Awards. Can Raging Bull maintain its status as the most-winning flick of the year? Let's find out...
It's easy to award the transformation of John Hurt into John Merrick for The Elephant Man. So I will!
In second place, intense forearms, unflattering hair buns, and other recreations of cartoon icons in Popeye. In third, blood, broken noses, and 15 years in Raging Bull. In fourth, primitive man and a mass of God knows what in Altered States. In fifth, blood, ghost-white faces, and salt-and-pepper doublng in Kagemusha.
Best Original Song, Best Actress, Best Picture, and more...after the jump.
The first day of the 1980 Retro Hollmann Awards. I have ordered the categories the same way they came in the original Oscar telecast of March 31, 1981. Just nine categories for today, starting with Best Ensemble (not an Oscar category, but...look, just read on).
Best Ensemble
Fame
Howard Feuer / Jeremy Ritzer, casting directors
2. The Blues Brothers; 3. Raging Bull; 4. Airplane; 5. Breaker Morant
What other film could win this category but Fame? I knew I would nominate it when I saw the students, by turns friendly and vicious, with unexpected chemistry and vulnerability in star-making roles (Barry Miller, hello!). But then came the teachers, each fully realized, demanding but not heartless, with their own backstories (Anne Meara, hello!). But what gives it the win - the equal attention in the development of the parents, some pushy, some distant, some not understanding why their kid wants to perform but backing them 100 percent anyway (Eddie Barth, hello!).
In second place, the comic geniuses and genuine music legends of The Blues Brothers. In third, the family and "the Family" crossing paths, and each other, in Raging Bull. In fourth, the mix of comic talents and seasoned dramatic actors to harness Airplane!'s absurdity. In fifth, the three accused, their attorney, and the powers closing in around them in Breaker Morant.
Best Supporting Actor, Best Supporting Actress, and more after the jump....
A total number of 65 films were screened for the 1980 retrospective - including 22 Oscar nominees, eleven Razzie nominees and five Oscar-Razzie nominees (overlap is not uncommon). And so the moment has come: the nominees for the 1980 Retro Hollmann Awards.
I present the 18 categories in the order in which I figured out my lineup:
After 65 films, 10 Oscar categories, and five re-castings, I am ready to divvy out the awards for 1980....in due time. The nominees tomorrow, the awards later on in the week.
Until then, my personal top ten of the year. The complete list of films screened follows at the end. How many have you seen?
American Gigolo
Dir/Scr: Paul Schrader
Cin: John Bailey
Neon noir with a special hatred for Beverly Hills, a place where the wealthy surround themselves with beauty, until it becomes inconvenient. The clothes, the sets, the attitude, all influenced how we see this decade. Genuine suspense, and a strong and sexy performance from Richard Gere at its center.
The moment has come - I present to you, the Best Picture nominees of 1980:
Coal Miner's Daughter
***
A conventional biopic - rise, semi-fall, recovery, immortality - though well-written and -acted enough that we forgive the familiarities. Sissy Spacek deserved her Oscar, but most notable, to me: the design! I'm talking the sets, costumes, sound, the hair! Detailed and authentic. Entertaining overall.
In The Elephant Man, John Hurt is John Merrick, a real-life Victorian-era personality whose unique deformity made him into a celebrity. This was Hurt's second and final nomination.
In The Great Santini, Robert Duvall is Bull Meechum, a fighter pilot between wars who makes his home a new battlefield, pushing his oldest son to "man up". This was Duvall's third nomination, still three years away from his first (and so far only) win.
In Raging Bull, Robert De Niro is Jake La Motta, the championship boxer whose life hit a unique series of highs and lows, including a long time as an uber-plus-size club owner and comic. This was his fourth nomination - and resulted in his second win:
In The Stunt Man, Peter O'Toole is Eli Cross, a megalomaniacal director whose on-set tactics and off-set personality make him appear dangerously mad. But is it all just one big joke? O'Toole famously never won, despite eight nominations; this was his sixth.
In Tribute, Jack Lemmon is Scottie Templeton, a Broadway press agent who tries to repair his relationship with his son when he learns he may be dying. This was the seventh of eight nominations for Lemmon, who had already won twice before.
And now, a special musical break with the nominees for Best Original Song. "Fame" was the winner this year - though Dolly still got a moment:
The nominees, in reverse order of how I'd rank them (that means bottom's up):
"People Alone" from The Competition
music by Lalo Schifrin
lyrics by Will Jennings
*
Schifrin's fifth of six Oscar nominations, first and only time in Original Song
Jennings' first nomination; later won this category for An Officer and a Gentleman and Titanic
"On the Road Again" from Honeysuckle Rose
music and lyrics by Willie Nelson
***
first and only nomination
"Fame" from Fame
music by Michael Gore
lyrics by Dean Pitchford
***
Gore's second Oscar in one night; later nominated for Terms of Endearment's score
Pitchford's first Oscar nom and only win; nominated thrice more here, two of them for Footloose
"Out Here on My Own" from Fame
music by Michael Gore
lyrics by Lesley Gore
****
Lesley Gore's first and only nomination
"9 to 5" from Nine to Five
music and lyrics by Dolly Parton
*****
first nomination; nominated again for Transamerica 25 years later
Tomorrow, the nominees for Best Actor: Robert De Niro (Raging Bull), Robert Duvall (The Great Santini), John Hurt (The Elephant Man), Jack Lemmon (Tribute), and Peter O'Toole (The Stunt Man).
Though I pride myself on being a reader, I'm reminded of how little I know, how little I've read, every time I look at the nominees for Best Adapted Screenplay. And what's fascinating about this lineup is how many options each nominee offers!
For instance, Breaker Morant. The true story of three Australian lieutenants in the Boer War, courtmartialed for executing prisoners - and murdering a civilian. The film itself is mainly adapted from a hit 1978 stage play by Kenneth G. Ross, but also tips a hat to the non-fiction book The Breaker by Kit Denton - even though Ross and the production had just won a lawsuit against Denton for claiming to be the film's source. Why two credits, then? Girl, I don't know.
The Elephant Man, another true story, is likewise adapted from multiple sources. Following the true story of famously deformed Victorian personality Joseph "John" Merrick, the film's main inspiration is the memoir by Merrick's physician, Dr. Frederick Treves - yet it also takes from the anthropologist Ashley Montagu, the man appointed by UNESCO to investigate The Race Question. It bears no relation to the stage play of the same name, which was contemporaneously running on Broadway, a fact that stuck in the craw of the show's producers.
Ordinary People is straightforward, based as it is on Judith Guest's debut novel about a family dealing with the aftermath the death of one son and attempted suicide of the other. No confusion there, especially as it became a critically-acclaimed bestseller. But I do want to point out: it was later adapted into a stage play by Nancy Gilsenan. Mind, that was after the film won its Oscars - including this one.
Coal Miner's Daughter comes from the same-titled autobiography by Loretta Lynn (co-authored with George Vecsey), following the life and sometimes tribulations of the First Lady of Country Music. Loretta remained very hands-on, hand-picking Sissy Spacek to play her - and it doesn't end there! Last year, it was announced that Coal Miner's Daughter was heading to Broadway, and once again Ms. Lynn picked the new her: Zooey Deschanel.
The Stunt Man is the only nominee to stay away from the stage - for now. Based on Paul Brodeur's novel, the film follows a fugitive who hides out on a movie set, only to discover the director may be a greater threat to his physical and mental well-being than any cop. Don't expect to see this on 42nd Street any time soon - the flick is pure cinema.
And do those screenplays do their sources justice? Read on...
It's the first-timers club, an entire category full of nominees who have never before had the honor - and, even more strange, would never be so honored again!
The winner was Mary Steenburgen, as the supportive-then-frustrated housewife in Melvin and Howard. Surprisingly, this is her only nomination so far, though I for one think she should have been up for Cross Creek three years later.
You might think Eva Le Gallienne, 81 years old, is the overdue one - but her film work was minimal. Her medium was The Theatre, and she did it all: acting, directing, even translating the works of Chekhov and Ibsen. Her sage grandmother in Resurrection earned her her first and only Oscar nod.
More overdue: Eileen Brennan. Her ball-busting sergeant in Private Benjamin was her first and only nomination, though she won an Emmy reprising the role for the television series. She previously appeared in Best Picture winner The Sting and Best Picture nominee The Last Picture Show.
Not so overdue: Cathy Moriarty. Girl was just starting out - 20 years old, making her film debut as Jake La Motta's child bride in Raging Bull. Apparently, Joe Pesci had seen her picture on the wall of a bar, where she had won a beauty contest. This was Moriarty's first, and so far only, nomination.
And then there's Diana Scarwid, a woman among men as the waitress in Inside Moves. A busy year for her, as she was also in Honeysuckle Rose and the Emmy-winning TV movie Guyana Tragedy: The Story of Jim Jones (not to be confused with the exploitation fictionalization, Guyana: Cult of the Damned).
Supporting Actress has always been one of my favorite categories, and I will always tip my cap to StinkyLulu's Brian Herrera for helping to fuel that - indeed, he weighed in on this very lineup at The Film Experience, where Nathaniel Rogers has revived the Supporting Actress Smackdowns! Take a look at that. I did not participate at the time, of course, as I'd seen absolutely none of these movies until a month ago. If I had...here's what I might have said......
Our first week of the 1980 Oscars endeth here, with the nominees for Best Director. And here started a new trend, too: bankable pretty boy actors finally winning an Oscar for hiding their looks...behind the camera.
Robert Redford wasn't the first actor-director to win this category, but you wouldn't exactly lump Woody Allen in with him, Warren Beatty, Kevin Costner, and Mel Gibson, would you? It is still Redford's only competitive Oscar win, though he'd later be nominated as director and producer for Quiz Show - can you believe his acting has only gotten him one nod?
David Lynch was the unexpected choice for The Elephant Man, a decision made by executive producer Mel Brooks (!) after seeing his only other feature, 1977's Eraserhead. Some tsk-tsked at Lynch going mainstream, but boy is that a loose definition for what he gave us. Lynch would later be nominated twice more, for Blue Velvet and Mulholland Dr.
Roman Polanski was back with his first film since fleeing the United States following sexual assault charges. Tess, and adaptation of Tess of the d'Urbervilles, was a project he originally envisioned for his wife, Sharon Tate, before she was brutally murdered by the Manson Family. The film is dedicated to her. Polanski was previously nominated for Chinatown and would later win for The Pianist.
Martin Scorsese had already given the world Taxi Driver, yet Raging Bull marks his first Oscar nomination. It wouldn't be the last: seven more Best Director nods would follow over the years, with only one them resulting in a win: The Departed. He should have been up for Silence this year, but who am I?
Two years after it was shot, The Stunt Man finally came to cinemas; seven years before that, director Richard Rush started the ball rolling. More on that when we get to Adapted Screenplay, but for his troubles, Rush got two Oscar nods, critical raves, and cult cinema status.
But what did he get from me? That's after the jump.
What an unusual and varied slate this Best Actress lineup is!
In Coal Miner's Daughter, previous nominee Sissy Spacek plays country star Loretta Lynn in a biopic that charts the singer-songwriter's life from her humble beginnings in Kentucky to eventual fame, fortune, exhaustion, and recovery. That was good enough for a win!
In Gloria, previous nominee Gena Rowlands plays a former gun moll trying to smuggle a mouthy six-year-old to safety after his family is murdered - by the very men she used to hang around with.
In Ordinary People, Mary Tyler Moore plays a wife and mother grieving the death of her firstborn, favorite son - by ignoring it and shutting out the people around her.
In Private Benjamin, previous winner Goldie Hawn plays a spoiled rich girl who enlists in the army following a surprise widowhood - and winds up discovering who she really is along the way.
And in Resurrection, previous winner and frequentnominee Ellen Burstyn plays a young woman who returns to her childhood hometown following a tragic accident that awoke within her a miraculous gift - she can heal with the touch of her hand.
Those are the roles - but how were the performances? Let's talk, after the jump.
*****
second nomination following Best Original Song for Blazing Saddles
Tomorrow, the nominees for Best Actress: Ellen Burstyn (Resurrection), Goldie Hawn (Private Benjamin), Mary Tyler Moore (Ordinary People), Gena Rowlands (Gloria), Sissy Spacek (Coal Miner's Daughter).
Yesterday, we started our journey through 1980 with the nominees for Best Supporting Actor. Today, the nominees for Best Original Screenplay: three fictional, two true-ish. Let's meet the writers, shall we?
The Film: Brubaker The Plot: The new warden of a small prison farm in Arkansas tries to clean it up of corruption after initially posing as an inmate. The Writers: W.D. Richter, who later worked on Big Trouble in Little China and Home for the Holidays. Story by Richter and Arthur A. Ross, who wrote Creature from the Black Lagoon and The Great Race. First and only nominations for both men.
The Film: Fame The Plot: A chronicle of the lives of several teenagers who attend a New York high school for students gifted in the performing arts. The Writer: Christopher Gore, a playwright known for back-to-back musical flops (and now cult status, of course) Via Galactica and Nefertiti. It is his only film credit, but he was later Emmy-nominated for the animated short Faeries - and, of course, Fame became a six-season series. The Film: Melvin and Howard The Plot: The story of hard-luck Melvin E. Dummar, who claimed to have received a will naming him an heir to the fortune of Howard Hughes. The Writer: Bo Goldman, a previous winner in Best Adapted Screenplay for One Flew Over the Cuckoo's Nest; he would later be nominated in that same category for Scent of a Woman. A total of three nominations, with this one resulting in his second Oscar.
We begin the 1980 Oscars Retrospective the way many an Oscar ceremony has begun: with Best Supporting Actor.
In The Great Santini, Michael O'Keefe makes his film debut as a high school senior who alternately loves and hates his hard-ass marine father - both a result of him just wanting that affection from his father in return. O'Keefe also appears in the comedy classic Caddyshack this year!
(The Golden Globes nominated Scott Wilson for The Ninth Configuration instead of O'Keefe - Wilson is also bordering on co-lead in said film, but Glory Osky, it is a great performance)
In Melvin and Howard, Jason Robards plays a dusty old man who identifies himself as the billionaire Howard Hughes, picked up by noted failure Melvin. Is he lying, crazy, or the real deal? This is Robards' third Oscar nomination in this category - his previous two nods resulted in back-to-back wins.
In Ordinary People, Timothy Hutton makes his film debut as a teenager grieving the loss of his older brother, recovering from his suicide attempt, and exploring a new romance. Judd Hirsch plays his therapist, who refuses to let the patient slide into easy answers or self-pity. Hirsch later won an Emmy for Lead Actor in a Comedy Series for Taxi this same year.
In Raging Bull, Joe Pesci is the brother of Jake La Motta, a former boxer trying to maintain his connections in the mob, while being a good brother...and brother-in-law. It's the first of two Pesci nominations, the second resulting in a win.
Those are the men and their characters - buy what of the performances? After the jump...
It's a brand new month, and guess what that means? It's time for another Oscar Retrospective, followed by a new edition of the Retro Hollmann Awards! This time around, the year in question is 1980!
What makes this year unique is that I had never seen any of the Best Picture nominees before. Not a one. Coal Miner's Daughter? Missed it. Raging Bull? Passed me by. Tess? Never met her. Ordinary People? Look, you get the idea. This year was a chance for me to fill in some significant gaps in my movie knowledge.
And fill them I did! Not only did I finally watch The Elephant Man and The Blue Lagoon - I also included non-Oscar'd titles like The Blues Brothers and Popeye and American Gigolo. In the end, I watched 59 titles total - and still have a few more to go, as a VHS of Tribute is on its way, and the New Beverly Cinema in Los Angeles is playing Honeysuckle Rose next Sunday.
The Oscar Retrospective begins Monday, when we look back at the nominees for Best Supporting Actor. If you want to get in on the discussion, here's what's going down:
Best Supporting Actress (Inside Moves, Melvin and Howard, Private Benjamin, Raging Bull, Resurrection)
Best Adapted Screenplay ('Breaker' Morant, Coal Miner's Daughter, The Elephant Man, Ordinary People, The Stunt Man)
Best Original Song (The Competition, Fame, Honeysuckle Rose, Nine to Five)
Best Actor (The Great Santini, The Elephant Man, Raging Bull, The Stunt Man, Tribute)
Best Picture (Coal Miner's Daughter, The Elephant Man, Ordinary People, Raging Bull, Tess)
WEEK THREE
Casting Coup Week: Re-Casting the Best Picture Nominees of 1980
WEEK FOUR
Top Ten
Retro Hollmann Awards Nominees
Complete List of Movies Seen
The 1980 Retro Hollmann Awards
Today is the final day for voting for the decade you want me to guide us through next. The 1980 fans are loud and proud, both on the actual poll and in the comments, but that year is currently tied (!!!) with 1957.
Once again, that poll is on the right. Or, hell, right below!
I was quite thrilled about the feedback from my series on '74. Not just here, but on Twitter, from friends, family. Hell, the whole thing sparked a long conversation between my dad and myself on how amazing Thunderbolt and Lightfoot is, the merits of The Godfather films, Lee Strasberg, great disaster films, seeing Phantom of the Paradise in its initial release at a drive-in...that, I think, was the most rewarding thing of all. Also, seeing Bring Me the Head of Alfredo Garcia for the first time. That movie is incredible.
So, it should come as no surprise that I want to do it again! Not with 1974, of course, but with something! Take a look to the right and you'll see a poll that'll run for the next two weeks begging the question: which cinematic year do you want to live through next? I've narrowed the many choices to these five:
1951
In which An American in Paris wins at the Oscars...but what about in my heart?
1957
In which Sayonara and The Bridge on the River Kwai, two movies I've always wanted to see but never have, must compete against guilty pleasure Peyton Place and my beloved Funny Face.
1964
In which I decide once and for all if Julie Andrews deserved her Oscar, and just how badly Audrey Hepburn was snubbed.
1980
In which the absence of Xanadu in the original song category forces me to watch Honeysuckle Rose. Also, I've never seen Raging Bull, Coal Miner's Daughter, Ordinary People, Private Benjamin....
1987
In which cult horror films (The Lost Boys, The Monster Squad), beloved epics (The Last Emperor, Empire of the Sun) and Cher (Suspect, Moonstruck) square off in a fight to the death.
Voting is open for the next two weeks! Let your feelings be heard, before they are hurt!
